Anouncements & Advertisements
| September 24, 2013 | Posted by Webmaster under Volume 04, Number 3, May 1994 |
|
Every issue of Postmodern Culture will carry notices of events, calls for papers, and other announcments, up to 250 words, free of charge. Advertisements will also be published on an exchange basis. Send anouncements and advertisements to:
pmc@jefferson.village.virginia.edu
Journal and Book Announcements:
- 1)Essays in Postmodern Culture
- 2)Black Ice Books
- 3)Black Sacred Music: A Journal of Theomusicology
- 4)Centennial Review
- 5)Chicago Journal of Theoretical Computer Science
- 6)College Literature
- 7)Contention
- 8)Differences
- 9)Discourse
- 10)Electronic Journal on Virtual Culture
- 11)Eternal Network: A Mail Art Anthology
- 12)GENDERS
- 13)Hot Off the Tree
- 14)Information Technology and Disabilities
- 15)Inter-Society for Electronic Arts
- 16)M/E/A/N/I/N/G
- 17)Minnesota Review
- 18)Modern Fiction Studies
- 19)MTV Killed Kurt Cobain
- 20)Nomad
- 21)October
- 22)RHETNET: A Cyberjournal for Rhetoric and Writing
- 23)RIF/T
- 24)SSCORE
- 25)Studies in Popular Culture
- 26)TDR
- 27)Tonguing the Zeitgeist
- 28)Virus 23
- 29)ViViD Magazine
- 30)Zines-L
- 32)Representations
- 33)Human Computer Interaction Laboratory (University of Maryland, College Park), 11th annual symposium and open house
- 34)Hypertext Fiction and the Literary Artist
- 35)Journal of Criminal Justice and Popular Culture
- 36)The Little Magazine: Work, Writing, Electronic Space, Cyborg Performance and Poetics
- 37)National Symposium on Proposed Arts and Humanities Policies for the National Information Infrastructure
- 38)Postmodern Culture: A SUNY Series
- 39) PSYCHE
- 40)Research on Virtual Relationships
- 41)Sixties Generations: From Montgomery to Vietnam; an interdisciplinary meeting of Scholars, Artists, and Activists
- 42)Splinter
- 43)STYLE: Possible Worlds, Virtual Reality, and Postmodern Fiction
- 44)Undercurrent
Networked Discussion Groups:
- 45)FEMISA: Feminism, Gender, International Relations_
- 46)HOLOCAUS: Holocaust List
- 47)NewJour-L
- 48)NII-Teach
- 49)Popcult List
Research Programs:
Resources:
Other:
. . . Now Cordless
An anthology of essays from Postmodern Culture is available in print from Oxford University Press. The works collected here constitute practical engagements with the postmodern–from AIDS and the body to postmodern politics. Writing by George Yudice, Allison Fraiberg, David Porush, Stuart Moulthrop, Paul McCarthy, Roberto Dainotto, Audrey Ecstavasia, Elizabeth Wheeler, Bob Perelman, Steven Helmling, Neil Larsen, David Mikics, Barrett Watten. Book design by Richard Eckersley.
ISBN: 0-19-508752-6 (hardbound)
0-19-508753-4 (paper)
Black Ice Books is a new alternative trade paperback series that will introduce readers to the latest wave of dissident American writers. Breaking out of the bonds of mainstream writing, the voices published here are subversive, challenging and provocative. The first four books include:
Avant-Pop: Fiction for a Daydream Nation
Edited by Larry McCaffery, this book is an assemblage of innovative fiction, comic book art, unique graphics and various other unclassifiable texts by writers like Samuel Delany, Mark Leyner, William Vollmann, Kathy Acker, Eurdice, Stephen Wright, Derek Pell, Harold Jaffe, Tim Ferret, Ricardo Cortez Cruz and many others.
“One of the least cautious, nerviest editors going, Larry McCaffery is the No-Care Bear of American Letters.”
— William Gibson.
“A clusterbomb of crazy fiction, from a generation too sane to repeat yesterday’s lies.”
— Tom Robbins
New Noir
Stories by John Shirley
John Shirley bases his stories on his personal experience of extreme people and extreme mental states, and on his struggle with the seduction of drugs, crime, prostitution and violence.
“John Shirley is an adventurer, returning from dark and troubled regions with visionary tales to tell.”
— Clive Barker
The Kafka Chronicles
a novel by Mark Amerika
The Kafka Chronicles is an adventure into the psyche of an ultracontemporary twentysomething guerilla artist who is lost in an underworld of drugs and mental terrorism, where he encounters an unusual cast of angry yet sensual characters
“Mr Amerika–if indeed that is his name–has achieved a unique beauty in his artful marriage of Blake’s lyricism and the iron- in-the-soul of Celine. Are we taking a new and hard-hitting Antonin Artaud? Absolutely. And much more.”
–Terry Southern
Revelation Countdown
by Cris Mazza
Stories that project onto the open road not the nirvana of personal freedom but rather a type of freedom more resembling loss of control.
“Talent jumps off her like an overcharge of electricity.”
–LA Times
Discount Mail-Order Information:
You can buy these books directly from the publisher at a discount. Buy one for $7, two for $13, three for $19 or all four for $25. We pay US postage! (Foreign orders add $2.50 per book.)
___ Avant-Pop
___ New Noir
___ The Kafka Chronicles
___ Revelation Countdown
Please make all checks or money orders payable to:
Fiction Collective Two
Publications Unit
Illinois State University
Normal, IL 61761
Black Sacred Music: A Journal of Theomusicology
Presenting the proceedings of an important conference held in Blantyre, Malawi in November of 1992, this volume represents a significant step for the African Christian church toward incorporating indigenous African arts and culture into it liturgy. Recognizing that the African Christian church continues to define itself in distinctly Western terms, forty-nine participants from various denominations and all parts of Africa– Uganda, Kenya, Malawi, Mozambique, Madagascar, Mauritius, Zimbabwe, Zambia, Sierra Leone, Cameroon–and the United States met to share ideas and experiences and to establish strategies for the indigenization of Christianity in African churches.
Other special issues by single copy:
The William Grant Still Reader
presents the collected writings of this respected American composer. Still offered a perspective on American music and society informed by a diversity of experience and associations that few others have enjoyed. His distinguished career spanned jazz, traditional African-American idioms, and the European avant-garde, and his compositions ranged from chamber music to opera.
Sacred Music of the Secular City
delves into the American religious imagination by examining the religious roots and historical circumstances of popular music. Includes essays on musicians Robert Johnson, Duke Ellington, Marvin Gaye, Madonna, and 2 Live Crew.
Subscription prices: $30 institutions, $15 individuals. Single issues: $15. Please add $4 for subscription outside the U.S. Canadian residents, add 7% GST.
Duke University Press/Box 90660/Durham NC 27708
Edited by R.K. Meiners
The Centennial Review is committed to reflection on intellectual work, particularly as set in the University and its environment. We are interested in work that examines models of theory and communication in the physical, biological, and human sciences; that re-reads major texts and authoritative documents in different disciplines or explores interpretive procedures; that questions the cultural and social implications of research in a variety of disciplines.
$12/year (3 issues), $18/two years (6 issues)
(Add $4.50 per year for mailing outside the US)
Recent special issue:
Poland: From Real Socialism to Democracy
Please make your check payable to The Centennial Review. Mail to: The Centennial Review
312 Linton Hall
Michigan State University
East Lansing MI 48824-1044
Chicago Journal of Theoretical Computer Science
Editors: Stuart Kurtz, Michael O’Donnell, and Janos Simon, University of Chicago
“I want to commend both The MIT Press and the MIT Libraries for their vision in publishing the Chicago Journal of Theoretical Computer Science… the North Carolina State University Libraries will be subscribing to this ground-breaking electronic journal. I can assure you that we will do all that we can to make our faculty and students aware of this exciting new publication”
–Susan K. Nutter, Director of
Libraries, North Carolina State University
Please Join in Our Vision of a New Relationship between Publishers and Libraries
We have a vision that university presses and university libraries, working together, can publish and maintain electronic scholarly journals which provide:
- Peer-reviewed and high-quality papers
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The journal will publish high-quality, peer-reviewed articles in theoretical computer science and is designed to meet the following needs:
- The scholar’s desire for quicker peer review and dissemination of research results;
- The library’s need to develop systems and structures to deal with electronic journals and know to what degree electronic journals might relieve budget pressures;
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Ground-Breaking:
- Published by an established journals publisher, the MIT Press, working with the MIT Libraries to guarantee library concerns are addressed;
- Committed to publishing a level of quality equivalent to standard print journals with the goal of increasing acceptance of electronic publication in the tenure review process;
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What a Subscriber Gets:
- Article-by-article publication, beginning with approximately 15 articles in 1994 (equivalent to a triannual standard paper journal) and including possible paper delivery if demanded by customers;
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For subscription information please contact:
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Edited by Kostas Myrsiades
A triannual journal of scholarly criticism dedicated to serving the needs of College/University teachers by providing them with access to innovative ways of studying and teaching new bodies of literature and experiencing old literature in new ways.
“Congratulations on some extremely important work; you certainly seem attuned to what is both valuable and relevant.”
–Terry Eagleton
–Oxford University
“In one bold stroke you seem to have turned _College Literature_ into one of the things everyone will want to read.”
–Cary Nelson
“A journal one must consult to keep tabs on cultural theory and contemporary discourse, particularly in relation to pedagogy.”
–Robert Con Davis
Forthcoming issues:
Third World Women’s Literature
African American Writing
Cross-Cultural Poetics
Subscription Rates: US Foreign Individual $24.00/year $29.00/year Institutional: $48.00/year $53.00/yearSend prepaid orders to:College Literature
Main 544
West Chester University
West Chester, PA 19383
(215)436-2901 / (fax) (215)436-3150
Contention is:
“…simply a triumph from cover to cover.”
Fredrick Crews
“…the most exciting new journal that I have ever read.”
Lynn Hunt
“…an important, exciting, and very timely project.”
Theda Skocpol
“…an idea whose time has come.”
Robert Brenner
“…serious and accessible.”
Louise Tilly
Subscriptions (3 issues) are available to individuals at $25.00 and to institutions at $50.00 (plus $10.00 for foreign surface postage) from:
Journals Division
Indiana University Press
601 N. Morton
Bloomington IN 47104
ph: (812) 855-9449
fax: (812) 855-7931
QUEER THEORY: LESBIAN AND GAY SEXUALITIES
(Volume 3, Number 2)
Edited by Teresa de Lauretis
Teresa de Lauretis: Queer Theory: Lesbian and Gay Sexualities An Introduction
Sue Ellen Case: Tracking the Vampire
Samuel R. Delany: Street Talk/Straight Talk
Elizabeth A. Grosz: Lesbian Fetishism?
Jeniffer Terry: Theorizing Deviant Historiography
Thomas Almaguer: Chicano Men: A Cartography of Homosexual Identity and Behavior
Ekua Omosupe: Black/Lesbian/Bulldagger
Earl Jackson, Jr.: Scandalous Subjects: Robert Gluck’s Embodied Narratives
Julia Creet: Daughter of the Movement: The Psychodynamics of Lesbian S/M Fantasy
THE PHALLUS ISSUE
(Volume 4, Number 1)
Edited by Naomi Schor and Elizabeth Weed
Maria Torok: The Meaning of “Penis Envy” in Women (1963)
Jean-Joseph Goux: The Phallus: Masculine Identity and the “Exchange of Women”
Parveen Adams: Waiving the Phallus
Kaja Silverman: The Lacanian Phallus
Charles Bernheimer: Penile Reference in Phallic Theory
Judith Butler: The Lesbian Phallus and the Morphological Imaginary
Jonathan Goldberg: Recalling Totalities: The Mirrored Stages of Arnold Schwarzenegger
Emily Apter: Female Trouble in the Colonial Harem
Single Issues: $12.95 individuals
$25.00 institutions
($1.75 each postage)
Subscriptions (3 issues): $28.00 individuals
$48.00 institutions
($10.00 foreign surface postage)
Send orders to:
Journals Division
Indiana University Press
601 N Morton
Bloomington IN 47404
ph: (812) 855-9449
fax: (812) 855-7931
SPECIAL ISSUE
FLAUNTING IT: LESBIAN AND GAY STUDIES
Kathryn Baker:
Delinquent Desire: Race, Sex, and Ritual in Reform Schools for Girls
Terralee Bensinger:
Lesbian Pornography: The Re-Making of (a) Community
Scott Bravmann:
Investigating Queer Fictions of the Past: Identities, Differences, and Lesbian and Gay Historical Self-Representations
Sarah Chinn and Kris Franklin:
“I am What I Am” (Or Am I?): Making and Unmaking of Lesbian and Gay Identity in High Tech Boys
Greg Mullins:
Nudes, Prudes, and Pigmies: The Desirability of Disavowal in Physical Culture Magazine
JoAnn Pavletich:
Muscling the Mainstream: Lesbian Murder Mysteries and Fantasies of Justice
David Pendelton:
Obscene Allegories: Narrative Structures in Gay Male Porn
Thomas Piontek:
Applied Metaphors: AIDS and Literature
June L. Reich:
The Traffic in Dildoes: The Phallus as Camp and the Revenge of the Genderfuck
Single Issues: $12.95 individuals
$25.00 institutions
($1.75 each postage)
Subscriptions (3 issues): $25.00 individuals
$50.00 institutions
($10.00 foreign surface postage)
Send orders to:
Journals Division
Indiana University Press
601 N Morton
Bloomington IN 47404
ph: (812) 855-9449
fax: (812) 855-7931
We are very pleased by the great interest in the Electronic Journal on Virtual Culture. There are already more than 1,850 people subscribed.
Our first issue was distributed in March 1993. The future looks very interesting. Editors are working on Special Issues on education, law, qualitative research, and dynamics in virtual culture.
The Electronic Journal on Virtual Culture (EJVC) is a refereed scholarly journal that fosters, encourages, advances and communicates scholarly thought on virtual culture. Virtual culture is computer-mediated experience, behavior, action, interaction and thought, including electronic conferences, electronic journals, networked information systems, the construction and visualization of models of reality, and global connectivity.
EJVC is published monthly. Some parts may be distributed at different times during the month or published only occasionally (e.g. CyberSpace Monitor). If you would be interested in writing a column on some general topic area in the Virtual Culture (e.g. an advice column for questions about etiquette, technology, etc. ?) or have an article to submit or would be interested in editing a special issue contact Ermel Stepp Editor-in-Chief of Diane Kovacs Co-Editor at the e-mail addresses listed below. You can retrieve the file EJVC AUTHORS via anonymous ftp to
byrd.mu.wvnet.edu
(pub/ejvc) or via e-mail to
listserv@kentvmor
listserv@kentvm.kent.edu
Cordially,
Ermel Stepp, Marshall University, Editor-in-Chief
MO34050@Marshall.wvnet.edu
Diane (Di) Kovacs, Kent State University, Co-Editor
DKOVACS@Kentvm.Kent.edu
“Eternal Network: A Mail Art Anthology” by Chuck Welch is to be published in Fall 1994 by University of Calgary Press. The 42 chapter, 350 page text includes an index, 147 illustrations and six major appendices including the largest extensive listing of underground mail art zines in existence. A thorough listing of nearly 100 international private and institutional mail art archives appears in another important appendice.
But what is mail art? Mail art is a paradox in the way it reverses traditional definitions of art; the mailbox and computer replace the museum, the address becomes the art, and the mailman brings home the avant-garde to mail artists in the form of correspondence art, e-mail art, artistamps, postcards, conceptual projects, and collaborations. “Eternal Network introduces readers to a lively exchange with international mail art networkers from five continents. The book include snail mail and e-mail addresses, fax, and telephone numbers for many active mail artists. Readers are invited to participate — to corresponDANCE with global village artists who quickstep beyond establishment boundaries of art.
Among the forty-two distinguished contributors appearing in “Eternal Network” are New York City art critic Richard Kostelanetz; physicist, poet Bern Porter; Director of the Museum of Modern Art Library, Clive Phillpot; famed Fluxus artists Dick Higgins and Ken Friedman; University of Iowa art historian and archival director Estera Milman, and mail art patron Jean Brown who has collected the world’s largest assemblage of mail art material now undergoing documentation at the Getty Center for the History of Art and the Humanities.
Many of the forty-two chapters appearing in “Eternal Network” are original, unpublished essays pertaining to the origin and history of mail art networking, collaborative aesthetics, new directions for mail art networking in the 1990’s, mail art projects exploring the interconnection of marginal on and off-line networks, mail art criticism and dialogue, and finally, parables, visions, dances, dreams, and poems that articulate the living mythology of mail art.
Edited by Chuck Welch, an active mail artist since 1978, “Eternal Network” makes an important first step towards introducing mail art to non-artists, artists, and academic scholars. For more information send e-mail to
Cathryn.L.Welch@dartmouth.edu
or write to
“Eternal Network” PO Box 978, Hanover, NH 03755
Since 1988, GENDERS has presented innovative theories of gender and sexuality in art, literature, history, music, photography, TV, and film. Today, GENDERS continues to publish both new and known authors whose work reflects an international movement to redefine the boundaries of traditional doctrines and disciplines.
GENDERS is published triannually in Spring, Fall, Winter
Single Copy rates: Individual $9, Institution $14
Foreign postage, add $2/copy
Subscription rates: Individual $24, Institution $40
Foreign postage, add $5.50/subscription
Send orders to:
University of Texas Box 7819 Austin TX 78713
HOTT — Hot Off The Tree — is a FREE monthly electronic newsletter featuring the latest advances in computer, communications, and electronics technologies. Each issue provides article summaries on new & emerging technologies, including VR (virtual reality), neural networks, PDAs (personal digital assistants), GUIs (graphical user interfaces), intelligent agents, ubiquitous computing, genetic & evolutionary programming, wireless networks, smart cards, video phones, set-top boxes, nanotechnology, and massively parallel processing.
Summaries are provided from the following sources:
Wall Street Journal, New York Times, Los Angeles Times, Washington Post, San Jose Mercury News, Boston Globe, Financial Times (London) …
Time, Newsweek, U.S. News & World Report …
Business Week, Forbes, Fortune, The Economist (London), Nikkei Weekly (Tokyo), Asian Wall Street Journal (Hong Kong) …
over 50 trade magazines, including Computerworld, InfoWorld, Datamation, Computer Retail Week, Dr. Dobb’s Journal, LAN Times, Communications Week, PC World, New Media, VAR Business, Midrange Systems, Byte …
over 50 research journals, including ALL publications of the IEEE Computer and Communications Societies, plus technical journals published by AT&T, IBM, Hewlett Packard, Fujitsu, Sharp, NTT, Siemens, Philips, GEC …
over 100 Internet mailing lists & USENET discussion groups …
plus …
- listings of forthcoming & recently published technical books;
- listings of forthcoming trade shows & technical conferences;
- company advertorials, including CEO perspectives, tips & techniques, and new product announcements.
BONUS:
Exclusive interviews with technology pioneers … the next two issues feature interviews with Mark Weiser (head of Xerox PARC’s Computer Science Lab) on ubiquitous computing, and Nobel laureate Joshua Lederberg on the information society
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The HOTT mailing list is automatically maintained by a computer located at the University of California at San Diego. The system automatically responds to the sender’s return path. Hence, it is necessary to send subscription requests and cancellations directly to the listserv at UCSD. (I cannot make modifications to the list … nor do I have access to the list.) For your privacy, please note that the list will not be rented. If you have problems and require human intervention, contact:
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The next issue of the reinvented HOTT e-newsletter is scheduled for transmission in late January/early February.
Please forward this announcement to friends and colleagues, and post to your favorite bulletin boards. Our objective is to disseminate the highest quality and largest circulation compunications (computer & communications) industry newsletter.
I look forward to serving you as HOTT’s new editor. Thank you.
David Scott Lewis
Editor-in-Chief and Book & Video Review Editor
IEEE Engineering Management Review
(the world’s largest circulation “high tech” management journal)
Internet address:d.s.lewis@ieee.org
Tel: +1 714 662 7037
USPS mailing address: POB 18438
IRVINE CA 92713-8438
USA
Below is information about the journal, including the table of contents for Volume I, no. 1, as well as information on editorial staff and explicit instructions for subscribing or using the journal via gopher.
IT&D V1N1 Table of Contents 230 lines
INFORMATION TECHNOLOGY AND DISABILITIES
ISSN 1073-5127
Volume I, No. 1 January, 1994
ARTICLES
INTRODUCING INFORMATION TECHNOLOGY AND DISABILITIES
(itdV01N1 mcnulty)
Tom McNulty, Editor
BUILDING AN ACCESSIBLE CD-ROM REFERENCE STATION
(itdV01N1 wyatt)
Rochelle Wyatt and Charles Hamilton
ABSTRACT: This case study describes the development of an accessible CD-ROM workstation at the Washington Library for the Blind and Physically Handicapped. Included are descriptions of hardware and software, as well as selected CD-ROM reference sources. Information is provided on compatibility of individual CD-ROM products with adaptive technology hardware and software.
DEVELOPMENT OF AN ACCESSIBLE USER INTERFACE FOR PEOPLE WHO
ARE BLIND OR VISION IMPAIRED AS PART OF THE RE-COMPUTERIZATION
OF ROYAL BLIND SOCIETY (AUSTRALIA)
(itdV01N1 noonan)
Tim Noonan
ABSTRACT: In 1991, Royal Blind Society (Australia) and Deen Systems, a Sydney-based software development company, undertook a major overhaul of RBS information systems intended to enhance access to RBS client services as well as employment opportunities for blind and vision impaired RBS staff. This case study outlines the steps taken and principles followed in the development of a computer user interface intended for efficient use by blind and vision impaired individuals.
THE ELECTRONIC REHABILITATION RESOURCE CENTER AT
ST. JOHN’S UNIVERSITY (NEW YORK)
(itdV01N1 holtzman)
Bob Zenhausern and Mike Holtzman
ABSTRACT: St. John’s University in Jamaica, New York, is host to a number of disability-related network information sources and services. This article identifies and describes key sources and services, including Bitnet listservs, or discussion groups, the UNIBASE system which includes real-time online conferencing, and other valuable educational and rehabilitation-related network information sources.
THE CLEARINGHOUSE ON COMPUTER ACCOMMODATION (COCA)
(itdV01N1 brummel)
Susan Brummel and Doug Wakefield
ABSTRACT: Since 1985, COCA has been pioneering information policies and computer support practices that benefit Federal employees with disabilities and members of the public with disabilities. Today, COCA provides a variety of services to people within and outside Government employment. The ultimate goal of all COCA’s activities is to advance equitable information environments consistent with non-discriminatory employment and service delivery goals.
DEPARTMENTS
JOB ACCOMMODATIONS
(itdV01N1 jobs)
Editor: Joe Lazzaro
lazzaro@bix.comK – 12 EDUCATION
(itdV01N1 k12)
Editor: Anne Pemberton
apembert@vdoe386.vak12ed.edu
LIBRARIES
(itdV01N1 library)
Editor: Ann Neville
neville@emx.cc.utexas.edu
ONLINE INFORMATION AND NETWORKING
(itdV01N1 online)
Editor: Steve Noble
slnobl01@ulkyvm.louisville.edu
CAMPUS COMPUTING
(itdV01N1 campus)
Editor: Daniel Hilton-Chalfen, Ph.D.
hilton-chalfen@mic.ucla.edu
Copyright (c 1994) by (IT&D) Information Technology and Disabilities. Authors of individual articles retain all copyrights to said articles, and their permission is needed to reproduce any individual article. The rights to the journal as a collection belong to (IT&D) Information Technology and Disabilities. IT&D encourages any and all electronic distribution of the journal and permission for such copying is expressly permitted here so long as it bears no charge beyond possible handling fees. To reproduce the journal in non-electronic format requires permission of its board of directors. To do this, contact the editor.
EDITOR-IN-CHIEF
Tom McNulty, New York University
(mcnulty@acfcluster.nyu.edu)
EDITORS
Dick Banks, University of Wisconsin, Stout
Carmela Castorina, UCLA
Daniel Hilton-Chalfen, PhD, UCLA
Norman Coombs, PhD, Rochester Institute of Technology
Joe Lazzaro, Massachusetts Commission for the Blind
Ann Neville, University of Texas, Austin
Steve Noble, Recording for the Blind
Anne L. Pemberton, Nottoway High School, Nottoway, VA
Bob Zenhausern, PhD, St. John’s University
EDITORIAL BOARD
Dick Banks, University of Wisconsin, Stout
Carmela Castorina, UCLA
Danny Hilton-Chalfen, PhD, UCLA
Norman Coombs, PhD, Rochester Institute of Technology
Alistair D. N. Edwards, PhD, University of York, UK
Joe Lazzaro, Massachusetts Commission for the Blind
Ann Neville, University of Texas, Austin
Steve Noble, Recording for the Blind
Anne L. Pemberton, Nottoway High School, Nottoway, VA
Lawrence A. Scadden, PhD, National Science Foundation
Bob Zenhausern, PhD, St. John’s University
ABOUT EASI (EQUAL ACCESS TO SOFTWARE AND INFORMATION)
Since its founding in 1988 under the EDUCOM umbrella, EASI has worked to increase access to information technology by persons with disabilities. Volunteers from EASI have been instrumental in the establishment of Information Technology and Disabilities as still another step in this process. Our mission has been to serve as a resource primarily to the education community by providing information and guidance in the area of access to information technologies. We seek to spread this information to schools, colleges, universities and into the workplace. EASI makes extensive use of the internet to disseminate this information, including two discussion lists:
EASI@SJUVM.STJOHNS.EDU
(a general discussion on computer access) and
AXSLIB-L@SJUVM.STJOHNS.EDU
(a discussion on library access issues). To join either list, send a “subscribe” command to
LISTSERV@SJUVM.STJOHNS.EDU
including the name of the discussion you want to join plus your own first and last name. EASI also maintains several items on the St. Johns gopher under the menu heading “Disability and Rehabilitation Resources”.
For further information, contact the EASI Chair:
Norman Coombs, Ph.D.
NRCGSH@RITVAX.ISC.RIT.EDU
or the EASI office:
EASI’s phone: (310) 640-3193
EASI’s e-mail: EASI@EDUCOM.EDU
Individual ITD articles and departments are archived on the St. John’s University gopher. To access the journal via gopher, locate the St. John’s University (New York) gopher. Select “Disability and Rehabilitation Resources,” and from the next menu, select “EASI: Equal Access to Software and Information.” Information Technology and Disabilities is an item on the EASI menu.
To retrieve individual articles and departments by e-mail from the listserv: address an e-mail message to:
listserv@sjuvm.stjohns.edu
leave subject line blank
the message text should include the word “get” followed by the two word file name; for example:
get itdV01N1 contents
Each article and department has a unique filename; that name is listed below the article or department in parentheses. Do NOT include the parentheses with the filename when sending the “get” command to listserv.
NOTE: ONLY ONE ITEM MAY BE RETRIEVED PER MESSAGE; DO NOT SEND MULTIPLE GET COMMANDS IN A SINGLE E-MAIL MESSAGE TO LISTSERV.
To receive the journal regularly, send e-mail to:
listserv@sjuvm.stjohns.eduwith no subject and either of the following lines of text:
subscribe itd-toc “Firstname Lastname”
subscribe idt-jnl “Firstname Lastname”
(ITD-JNL is the entire journal in one e-mail message while ITD-TOC sends the contents with information on how to obtain specific articles.)
To get a copy of the guidelines for authors, send e-mail to:
listserv@sjuvm.stjohns.eduwith no subject and the following single line of text:
get author guidelin
ISEA is the Inter-Society for the Electronic Arts. ISEA coordinates the continued occurence of the International Symposia on Electronic Art (the ISEA Symposia).
1988: Utrecht, Holland
1990: Groningen, Holland
1992: Sydney, Australia
1993: Minneapolis, USA
1994: Helsinki, Finland
1995: Montreal, Canada
ISEA publishes a monthly Newsletter, both electronically and as a hard copy. Associate membership is free of charge for one year.
Anyone interrested in membership info, aims and a sample Newsletter, contact
ISEA@SARA.NL
Greetings,
Wim van der Plas
ISEA Board
M/E/A/N/I/N/G, an artist-run journal of contemporary art, is a fresh, lively, contentious, and provocative forum for new ideas in the arts.
M/E/A/N/I/N/G is published twice a year in the fall and spring.
It is edited by Susan Bee and Mira Schor.
Subscriptions for
2 ISSUES (1 YEAR):
$12 for individuals:
$20 for institutions
4 ISSUES (2 YEARS):
$24 for individuals;
$40 for institutions
- Foreign subscribers please add $10 per year for shipping abroad and to Canada: $5
- Foreign subscribers please pay by international money order in U.S. dollars.
All checks should be made payable to Mira Schor
Send all subscriptions to:
Mira Schor
60 Lispenard Street
New York, NY 10013
Limited supply of back issues available at $6 each, contact Mira Schor for information.
Distributed with the Segue Foundation and the Solo Foundation
Tell your friends! Tell your librarians! The new Minnesota Review‘s coming to town!
Subscriptions are $10 a year (two issues), $20 institutions/overseas. The new Minnesota Review is published biannually and originates from East Carolina University beginning with the Fall 1992 special issue.
Send all queries, comments, suggestions, submissions, and subscriptions to:
Jeffrey Williams, Editor
Minnesota Review
Department of English
East Carolina University
Greenville, NC 27858-4353
MFS, a journal of modern and postmodern literature and culture, announces the following forthcoming special issues:
February, 39.1: “Fiction of the Indian Subcontinent”
May, 39.3: “Toni Morrison”
November, 40.1: “The Cultural Politics of Displacement” Barbara Harlow, guest editor
We also continue to accept submissions for forthcoming special issues on “Autobiography, Photography, Narrative,” Timothy Dow Adams, Guest Editor (deadline: April 1, 1994); “Postmodern Narratives (deadline: October 1 1994); “Sexuality and Narrative,” Guest Editor, Judith Roof (deadline: March 1, 1995).
MFS is published quarterly at Purdue University and invites submissions of articles offering theoretical, historical, interdisciplinary, and cultural approaches to modern and contemporary narrative. Authors should submit essays for both special and general issues in triplicate paper copy or duplicate paper copy and IBM-compatible floppy; please include a self- addressed, stamped envelope for the return of submissions. Send submissions to:
Patric O’Donnell
Editor
MFS
Department of English
Heavilon Hall
Purdue University
West Lafayette IN 47907-1389
Address inquiries to the editor at this address or by e-mail at
pod@purccvm (bitnet);
pod@vm.cc.purdue.edu (Internet)
Subscriptions to MFS are $20 for individuals and $35 for libraries. Back issues are $7 each. Address subscription inquiries to:
Nel Fink
Circulation Manager
MFS
Department of Englis
h Heavilon Hall
Purdue University
West Lafayette IN 47907-1389
Announcing the publication of a mini-multimedia ‘zine, MTV Killed Kurt Cobain, with text, graphic, and sound resource. MTV Killed KC was written and directed by Mark Amerika and produced by Bobby Rabyd for Alternative-X, an electronic publishing enterprise at marketplace.com as Alternative-X
MTV Killed Kurt Cobain can be ftp’d from:
ftp.brown.edu
in the directory:
/pub/bobby_rabyd
It is in Storyspace Reader format, a standalone hypermedia template for the Macintosh.
Send queries to
st001747@brownvm.brown.eduBobby Rabyd
Manuscript submissions wanted in all interdisciplinary fields!
NOMAD is a forum for those texts that explore or examine the undefined regions among critical theory, visual arts, and writing. It is a bi-annual, not-for-profit, independent publication for provocative cross-disciplinary work of all cultural types, such as intermedia artwork, metatheory, and experimental writing, as well as literary, theoretical, political, and popular writing. While our editorial staff is comprised of artists and academics in a variety of disciplines, NOMAD strives to operate in a space outside of mainstream academic discourse and without institutional funding or controls.
Manuscripts should not exceed fifteen pages (exclusive of references); any form is acceptable. If possible, please submit manuscripts on 3.5″ Macintosh disks, in either Microsoft Word or MacWrite II format, or by E-mail. Each manuscript submitted on disk must be accompanied by a paper copy. Otherwise, please send two copies of each manuscript. Artwork submitted must be no larger than 8 1/2″ x 11″, and in black and white. PICT, TIFF, GIF, and JPEG files on 3.5″ Macintosh disks are acceptable, if accompanied by a paper copy (or via E-mail, bin-hexed or uuencoded). All artwork must be camera-ready. Submissions by regular mail should include a SASE with sufficient postage attached if return is desired. Diskettes should be shipped in standard diskette mailing packages.
Subscriptions: $9 per year (2 issues)
Send Manuscripts and Inquiries to:
NOMAD, c/o
Mike Smith
406 Williams Hall
Florida State University
Tallahassee, Florida, 32306
msmith@garnet.acns.fsu.edu
“In NOMAD, the rarest combinations of interests are treated with respect and exposed to the eyes of those who can most appreciate them.”
The MIT Press
Edited by: Rosalind Kraus
Annette Michelson
Yve-Alain Bois
Benjamin H.D. Buchloh
Hal Foster
Denis Hollier
John Rajchman
“OCTOBER, the 15-year-old quarterly of social and cultural theory, has always seemed special. Its nonprofit status, its cross- disciplinary forays into film and psychoanalytic thinking, and its unyielding commitment to history set it apart from the glossy art magazines.”
--Village Voice
As the leading edge of arts criticism and theory today, OCTOBERfocuses on the contemporary arts and their various contexts of interpretation. Original, innovative, provocative, each issue examines interrelationships between the arts and their critical and social contexts.
Come join OCTOBER‘s exploration of the most important issues in contemporary culture. Subscribe Today!
Published Quarterly ISSN 0162-2870. Yearly Rates: Individual $32.00; Institution $80.00; Student (copy of current ID required) and Retired: $22.00. Outside USA add $14.00 postage and handling. Canadians add additional 7% GST. Prepayment is required. Send check payable to OCTOBER drawn against a US bank, MasterCard or VISA number to:
MIT Press Journal / 55 Hayward Street / Cambridge, MA 02142-1399 / TEL: (617) 233-2889 / FAX: (617) 258-6779 / journals-orders@mit.edu
RHETNET Philosophy:
There are numerous places to talk on the Internet, and scholars in all fields are there (and there and there and there) pouring forth rivers of words. Amid the inevitable and voluptuous mundanity of those conversations reside moments of discovery, the fiery and spontaneous generation of knowledge, and even wisdom. These conversations, or parts of them, are worth saving and savoring. If we look at all of literature, including scholarly publication, as being one long, vast, intricate and diverse conversation, then the discussion online can be seen as part of the same discourse. The conversation is migrating to a new media, but the means of (attempting to) provide coherence are still developing.
RHETNET is an effort to adapt the functions of academic print journals to the new environment. Journals simultaneously serve as the medium of conversation and the repository for knowledge. RHETNET serves those purposes, but takes the shape of its native environment: cyberspace.
The project is both radical and conservative. RHETNET provides rhetoric and Internet students and scholars with the means of capturing, contextualizing, searching, and retrieving some of the intriguing and valuable conversations that occur on various parts of the Net, but which currently lie scattered and forgotten in dusty corners of the virtual world. It provides a repository of netscholarship on rhetoric and writing. We envision it as a decentered, organic repository for all the stuff of the Net that is of interest to the rhetoric and writing community, while also including space for various traditional types of scholarly discourse.
RHETNET Purpose:
1. To act as an archive for Net conversations
relating to rhetoric and writing. Few existing
places of discourse (mailing lists, newsgroups,
chat systems, MU*s), make an effort to capture
those conversations in a form that would allow
them to be reviewed reflectively and commented
upon in the future. They lack the archival intent
that RHETNET provides.
2. To offer a place for original publication of
articles and essays. We're interested in
retaining some aspects of traditional scholarly
publishing, or at least exploring the
possibilities for the co-existence of network and
print-oriented forms and sensibilities.
3. To create appropriate help sheets, conference
tutorials, or workshops on accessing the journal
and advice that will help new members of the Net.
4. To promote netscholarship and community.
RHETNET Editorial Intent
The editorial management group is responsible for coordinating regular publication of refereed articles on rhetoric and writing, particularly as they are constituted in the network environments of a developing cyberspace. As the journal evolves, this traditional structure may meld with the forms of scholarship more native to the Net, the forms that other aspects of the journal discover through exploratory approaches to network publication.
Anyone who is interested in being actively involved in the editorial or technological aspects of the journal is invited to join the editorial management group. Like the various scholarly communities on the Net, the main qualification for joining this effort is interest in writing, rhetoric, poetics, composition and critical theory, pedagogy, and online publication. Institutional credentials are not relevant.
A Listserv list, RHETNT-L@mizzou1.bitnet, has been created to serve this effort, initially as a place to conduct asynchronous discussions about the project. The list is managed by Eric Crump.
To subscribe, send email to
LISTSERV@mizzou1.bitnetor
LISTSERV@mizzou1.missouri.edu
Leave the subject line blank and in the first line of the note, put:
sub RHETNT-L Your Name
Anyone who has trouble subscribing should write to Eric at
LCERIC@mizzou1.bitnetor
LCERIC@mizzou1.missouri.edu
RIF/T, the electronic poetics journal, is interested in receiving proposals and/or submissions for a forthcoming special issue on Charles Olson.
Inquiries may be sent to:
E-POETRY@UBVM.CC.BUFFALO.EDU
RIF/T is edited by Kenneth Sherwood and Loss Pequen~o Glazier
G. David Garson, Editor
Ronald Anderson, Co-editor
The official journal of the Social Science Computing Association, SSCORE provides a unique forum for social scientists to acquire and share information on the research and teaching applications of microcomputing. Now, when you subscribe to Social Science Computer Review, you automatically become a member of the Social Science Computing Association.
Quarterly Subscription prices: $48 individual, $80 institutions Single Issue: $20 Please add $8 for postage outside the U.S. Canadian residents add 7% GST
Duke University Press/ Journals Division / Box 90660 /Durham NC 27708
Studies in Popular Culture, the journal of the Popular Culture Association in the South and the American Culture Association in the South, publishes articles on popular culture and American culture however mediated: through film, literature, radio, television, music, graphics, print, practices, associations, events–any of the material or conceptual conditions of life. The journal enjoys a wide range of contributors from the United States, Canada, France, Israel, and Australia, which include distinguished anthropologists, sociologists, cultural geographers, ethnomusicologists, historians, and scholars in mass communications, philosophy, literature, and religion.
Please direct editorial queries to the editor:
Dennis Hall
Department of English
University of Louisville
Louisville KY 40292
tel: (502) 588-6896/0509
Fax: (502) 588-5055
Bitnet: DRHALL01@ULKYVM
Internet: drhall01@ulkvm.louisville.edu
All manuscripts should be sent to the editor care of the
English Department, University of Louisville, Louisville, KY 40292
Please enclose two, double-spaced copies and a self-addressed stamped envelope. Black and White illustrations may accompany the text. Our preference is for essays that total, with notes and bibliography, no more than twenty pages. Documentation may take the form appropriate for the discipline of the writer; the current MLA stylesheet is a useful model. Please indicate if the work is available on computer disk. The editor reserves the right to make stylistic changes on accepted manuscripts.
Studies in Popular Culture is published semiannually and is indexed in the PMLA Annual Bibliography. All members of the Association receive Studies in Popular Culture. Yearly membership is $15.00 (International: $20.00). Write to:
the Executive Secretary
Diane Calhoun-French
Academic Dean
Jefferson Community College-SW
Louisville, KY 40272
for membership, individual issues, back copies, or sets. Volumes I- XV are available for $225.00.
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The Journal of Performance StudiesT141 (Spring 1994)
TDR is a journal that explores the diverse world of performance. How does this relate to you? The journal emphasizes the intercultural, and the inter-disciplinary and spans numerous geographical areas and historical periods. TDR addresses performance issues of every kind: theatre, music, dance, entertainment, media, sports, politics, aesthetics of everyday life, games, play, and ritual. TDR is for people in the performing arts, the social sciences, academics, activists and theorists–anyone interested thinking about the “performance” paradigm. The journal, is edited by Richard Schechner of the Department of Performance Studies, New York University, and is published quarterly by MIT Press.
Although TDR is not yet an electronic journal, you can browse through sample articles online and subscribe via e-mail from the Electronic Newsstand or directly from MIT, the publisher (see directions below).
Check out our table of contents:
In This Issue (T141 Spring 1994)
Comments
TDR & NEA: The Continuing Saga – TDR Comment by Richard
Schechner (editor)
In Memory of Utpal Dutt – by Sudipto Chatterjee
In Memory of Robert W. Corrigan – by Richard Schechner
Letters
Free Giveaway of His Plays – by Richard Foreman
Marxism, Melodrama, and Theatre Historiography – Dan Gerould responds
Eelka Lampe Responds to Masakuni Kitazawa
Native Earth and Jennifer Preston – a letter from Alan Filewood
Retiring or Recharging? – a letter from Richard E. Kramer
Articles
Muhammed and the Virgin: Folk Dramatization of Battles Between Moors and Christians – by Max Harris
“A Radiant Smile from the Lovely Lady”: Overdetermined Femininity in “Ladies” Figure Skating – by Abigail M. Feder
Tomas Schmit: A Fluxus Farewell to Perfection – interview by Gunther Berghaus
Going Going Gone: Theatre and American Culture(s) – by Bradley Boney
Whatever Happened to the Sleepy Mexican?: One Way to be a Contemporary Mexican in a Changing World Order – by Yareli Arizmendi
The New World Border: Prophecies for the End of the Century – by Guillermo Gomez-Pena
The Other History of Intercultural Performance – by Coco Fusco
Book Reviews
Women and Comedy: Rewriting the British Theatrical Tradition (by Susan Carlson) – reviewed by Lizbeth Goodman
Gender in Performance: The Presentation of Difference in the Performing Arts (edited by Laurence Senelick) – reviewed by Kim Marra
The National Stage: Theatre and Culture Legitimation in England, France and American (by Loren Kruger) – reviewed by Susan Manning
Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature (by Natalie Crohn Schmitt), The Actor’s Instrument: Body, Theory, State (by Hollis Huston), The End of Acting a Radical View (by Richard Hornby), Acting (by John Harrop) – all reviewed by Phillip B. Zarrilli
Each TDR issue is filled with photographs, artwork, and scripts that illustrate every article. The journal, founded in 1955, is 7 x 10, and a 184 pages per issue.
Come browse and subscribe
1. MIT Press Online
To access MIT Press Online Catalogs and subscription information:
telnet techinfo.mit.edu /Around MIT/MIT Press/journals/arts/
You can also access MIT via Gopher in USA/massachusetts/MIT/
To subscribe to TDR through MIT Press, send e-mail to:
journals-orders@mit.eduMIT Press Journals, 55 Hayward Street, Cambridge, MA
02142-1399 USA.
Tel: (617) 253-2889 Fax: (617)258-6779
2. The Electronic Newsstand
You can browse through an article from our latest issue and
obtain subscription information on the Electronic
Newsstand.On Gopher, go to: massachusetts/MIT/Interesting Sites to
Explore/Electronic Newsstand/all titles/TDR:The Dram
Review/
To subscribe to TDR through the Electronic Newsstand, send your name and address to:
tdr@enews.com. Or call: 1-800-40-ENEWS.
So you want to be a rock’n’roll star? In a tomorrow that isn’t distant enough, you’ll have to sell your soul to MTV to pick up a guitar. And then they’ll start carving you up, making you over in the mega-media image of glitter and bone….
LANCE OLSEN’S many other books include the novel Live from Earth and the first full-length study of the godfather of cyberpunk, William Gibson. His work has appeared in more than 200 magazines and anthologies, among them Mondo 2000, VLS, and Fiction International.
To Order:
Permeable Press 4
7 Noe Street, Suite 4
San Francisco, CA 94114
bcclark@igc.apc.org
ISBN 1-882633-04-0, $11.95
For those brave souls looking to explore the Secret of Eris, you may wish to check out VIRUS 23.
2 and 3 are even and odd, 2 and 3 are 5, therefore 5 is even and odd.
VIRUS 23 is a codename for all Erisian literature
Don Webb
6304 Laird Dr.
Austin TX 78757
0004200716@mcimail.com
VIRUS 23 is the annual hardcopy publication of A.D.o.S.A, the Alberta Department of Spiritual Affairs.
All issues are available at $7.00 ppd from:
VIRUS 23
Box 46
Red Deer, Alberta
Canada
T4N 5E7
Various chunks of VIRUS 23 can be found at Tim Oerting’s alt.cyberpunk ftp site (u.washington.edu, in /public/alt.cyberpunk. Check it out).
For more information online contact:
Darren Wershler-Henry
grad3057@writer.yorku.ca
The first issue of ViViD Magazine is now available. ViViD is a hypertext magazine about experimental writing and creativity in cyberspace. We are actively seeking contributions for the next issue.
The magazine is presented in the colorful, graphics environment of a Windows 3.1 Help File. You will need Windows 3.1 to read the magazine.
The magazine will also be available via anonymous FTP at “ftp.gmu.edu”, to obtain it:
ftp ftp.gmu.edu
username: anonymous
password: (your email address)
binary
get VIVID1.ZIP
For more information on ViViD, contact the editor, Justin McHale.
Internet address:
jmchale@gmuvax.gmu.edu
announcing a new list available from:
listserv@uriacc
To subscribe to Zines-L send a message to:
listserv@uriacc.uri.edu
on one line type:
SUBSCRIBE ZINES-L first name last name
PMC-MOO is a service offered (free of charge) by _Postmodern Culture_. PMC-MOO is a real-time, text-based, virtual reality environment in which you can interact with other subscribers of the journal and participate in live conferences. PMC-MOO will also provide access to texts generated by Postmodern Culture and by PMC-TALK, and it will provide the opportunity to experience (or help to design) programs which simulate object- lessons in postmodern theory. PMC-MOO has its own mailing lists on postmodern literature and theory. To connect to PMC-MOO, you must be on the internet. If you have an internet account, you can make a direct connection by typing the command
telnet
hero.village.virginia.edu 7777
at your command prompt. Once you’ve connected to the server, you should receive onscreen instructions on how to log in to PMC-MOO.
If you do not receive these onscreen instructions, but instead find yourself with a straight login: and password: prompt, it means that your telnet program or interface is ignoring the 7777 at the end of the command given above, and you will need to ask your local user-support people how to telnet to a specific port number. If you have the Emacs program on your system and would like information about a customized program for PMC-MOO that uses Emacs, contact pmc@unity.ncsu.edu by e-mail. PMC-MOO is based on the LambdaMOO program, freeware by Pavel Curtis.
New ventures in humanities scholarship
Published by the University of California Press
". . . widely recognized as among the most innovative outlets for work in literary criticism, art history, and cultural history." --Ludmilla Jordanova, Social History of Medicine
Representations is a quarterly interdisciplinary forum offering imaginative and challenging approaches to the study of culture. Since 1983, Representations has devoted its pages to ground-breaking critical thought.
RECENT SPECIAL ISSUES:
Number 29: "Entertaining History: American Cinema and Popular
Culture," edited by Carol J. Clover and Michael Rogin
Number 30: "Law and the Order of Culture," edited by Rober Post
Number 31: "The Margins of Identity in Nineteenth-Century
England"
Number 33: "The New World," edited by Stephen Greenblatt
Number 37: "Imperial Fantasies and Postcolonial Histories"
Number 42: "Future Libraries," edited by R. Howard Bloch and Carla
Hesse
FORTHCOMING SPECIAL ISSUES IN 1994:
Number 47: Eighteenth-Century Culture
Number 48: New Understandings of Eastern Europe
SUBSCRIPTION INFORMATION
$33 Individuals
$23 Students (with copy of ID)
$62 Institutions
(add $9.00 for foreign surface postage)
Send orders to:
Representations
University of California Press
2120 Berkeley Way, Berkeley
CA 94720
Order by Phone (510/642-4191)
Fax (510/642-9917)
journals@garnet.berkeley.edu
Prices subject to change
- UNIVERSITY OF MARYLAND, COLLEGE PARK
HUMAN-COMPUTER INTERACTION LABORATORY
11th ANNUAL SYMPOSIUM & OPEN HOUSE
June 13, 1994
Laying the Foundation for the Information Super Highway:
Human-Computer Interaction Research
June 14, 1994
Superteaching in the Electronic Classroom:
Concepts, Design and Evaluation
June 14, 1994
Interfaces to Imagination:
Art, Music, and Poetry in the Digital Village
Sponsored by
Center for Automation Research University of Maryland
with additional support from
Computer Science Center
Institute for Advanced Computer Studies
Institute for Systems Research
Registration
June 13, 1994
Laying the Foundation for the Information Super Highway
( ) $150 Industry - Full fee includes videotape,
technical reports, handouts, demo disk and lunch buffet
( ) $110 Faculty/Staff - University faculty & staff fee
includes videotape, technical reports, handouts, demo
disk and lunch buffet
( ) Student - Free registrations without materials or
lunch will be granted to full-time undergraduate and
graduate students space permitting
June 14, 1994
Superteaching in the Electronic Classroom
( ) $80 Industry
( ) $50 Faculty/Staff
( ) Student
June 14, 1994
Interfaces to Imagination
( ) $60 Industry
( ) $40 Educator/Art Practitioner
( ) Student
Directions and Parking Info:
Please enclose a self addressed stamped envelope with your registration by May 27, 1994 to receive ___ a map and/or ____ a parking permit (indicate what you need). After May 27, permits cannot be requested, so plan to bring lots of quarters for parking meters.
There is a 10% reduction for group of 4 or more from the same organization and registering together. Contact Teresa Casey (see below) for details.
Since we CANNOT accept charge cards or cash, please enclose with your registration your check made payable to The University of Maryland, or a purchase order with the reference CFAR/HCIL-OH94.
Mail to:
Teresa Casey
HCIL
AV Williams Building
University of Maryland
College Park, MD 20742-3255
e-mail: tcasey@cs.umd.edu
Hypertext Fiction and the Literary Artist is a research project investigating the use of hypertext technology by creative writers.
The project consists of evaluations of software and hardware, critiques of traditional and computerized works, and a guide to sites of publication.
We would like to request writers to submit their works for review. Publishers are requested to send descriptions of their publications with subscription fees and submission formats. We are especially interested to hear from institutions which teach creative writing for the hypertext format.
To avoid swamping our e-mail account, please limit messages to a page or two in length. Send works on disk (IBM or Mac) or hardcopy to:
Hypertext Fiction and the Literary Artist
3 Westcott Upper
London, Ontario
N6C 3G6
KEEPC@QUCD>QUEENSU.CA
Scholars are invited to submit manuscripts/reviews that meet the following criteria:
ISSUES: The Journal invites critical reviews of films, documentaries, plays, lyrics, and other related visual and performing arts. The Journal also invites original manuscripts from all social scientific fields on the topic of popular culture and criminal justice.
SUBMISSION PROCEDURES: To submit material for the Journal, please subscribe to CJMOVIES through the listserv and a detailed guidelines statement will automatically follow.
To subscribe, send a message with the following command to:
LISTSERV@ALBNYVM1:
SUBSCRIBE CJMOVIES YourFirstName YourLastName
Manuscripts and inquiries should be addressed to:
The Editors
Journal of Criminal Justice and Popular Culture
SUNYCRJ@ALBNYVM1.BITNET
or SUNYCRJ@UACSC2.ALBANY.EDU
MANAGING EDITORS:
Sean Anderson and Greg Ungar
Editors Journal of CriminalJustice and Popular Culture
School of Criminal Justice, SUNYA 135
Western Avenue Albany, NY 12222
INTERNET:
SA1171@ALBNYVM1.BITNET or GU8810@uacsc1.albany.edu
LIST ADMINISTRATOR:
Seth Rosner
School of Criminal Justice, SUNY
SR2602@uacsc1.albany.edu or SR2602@thor.albany.edu
THE LITTLE MAGAZINE is looking for writing and visual artwork which exists in the imagination of media still uncreated.
For all of its power and fascination, electronic media are still limited by metaphors clumsily imported from print. James Joyce and Ezra Pound were making hypertexts sixty years before the appropriate technology was created. We are looking for work which can be reproduced in the pages of THE LITTLE MAGAZINE but will inspire the engineers of the third millennium.
Although we are interested in adventuresome uses of the technology, it is not technology but vision which is lacking. We do not need virtual reality machines cranking out the same kind of misinformation that we get from television in even more addictive forms, but we are sick also of the polite, conventional thing literature has become. It is so comfortably contained in print. It is mediated and re-mediated (already); it is the subject of schools. We are not interested in work which exemplifies the theories of the past or even the hottest, most engaging theory of the present. We are interested in work which will call forth the media of the future.
CYBERPUNK GROW UP!
The deadline for the issue is December 15, 1994, but get in touch with us as soon as possible. We will try to find a way to publish important work even if it does not fit neatly into the usual literary magazine format. Tell us about your writing, visual art, sound pieces, videos, multimedia performances, network art, and investigations of genres still unnamed.
The Editors
THE LITTLE MAGAZINE
Department of English
State University of New York at Albany
Albany, NY 12222
DJB85@csc.albany.edu
- Call for Participation:
National Symposium on Proposed Arts and Humanities Policies for the National Information Infrastructure
On October 14th, 15th and 16th, the Center for Art Research in Boston will sponsor a National Symposium on Proposed Arts and Humanities Policies for the National Information Infrastructure.
Participants will explore the impact of the Clinton Administration’s AGENDA FOR ACTION and proposed NII legislation on the future of the arts and the humanities in 21st Century America.
The symposium will bring together government officials, academics, artists, writers, representatives of arts and cultural institutions and organizations, and other concerned individuals from many disciplines and areas of interest to discuss specific issues of policy which will effect the cultural life of all Americans during the coming decades.
To participate, submit a 250-word abstract of your proposal for a paper, panel-discussion or presentation, accompanied by a one-page vitae, by March 15, 1994.
Special consideration will be given to those efforts that take a critical perspective of the issues, and are concerned with offering specific alternatives to current administration and congressional agendas.
The proceedings of the symposium will be video-taped, and papers and panels will be published on CD-ROM. For further information, reply to:
jaroslav@artdata.win.net
via return e-mail.
Thank you, Jay Jaroslav
Jay Jaroslav, Director jaroslav@artdata.win.net CENTER FOR ART RESEARCH 241 A Street Boston, MA voice: (617) 451-8030 02210-1302 USA fax: (617) 451-1196
Postmodern Culture A SUNY Press Series
Series Editor: Joseph Natoli
Editor: Carola Sautter
Center for Integrative Studies, Arts and Humanities Michigan State University
We invite submissions of short book manuscripts that present a postmodern crosscutting of contemporary headlines–green politics to Jeffrey Dahmer, Rap Music to Columbus, the Presidential campaign to Rodney King–and academic discourses from art and literature to politics and history, sociology and science to women’s studies, form computer studies to cultural studies.
This series is designed to detour us off modernity’s yet-to-be- completed North-South Superhighway to Truth and onto postmodernism’s “forking paths” crisscrossing high and low culture, texts and life-worlds, selves and sign systems, business and academy, page and screen, “our” narrative and “theirs,” formula and contingency, present and past, art and discourse, analysis and activism, grand narratives and dissident narratives, truths and parodies of truths.
By developing a postmodern conversation about a world that has overspilled its modernist framing, this series intends to link our present ungraspable “balkanization” of all thoughts and events with the means to narrate and then re-narrate them. Modernity’s “puzzle world” to be “unified” and “solved” becomes postmodernism’s multiple worlds to be represented within the difficult and diverse wholeness that their own multiplicity and diversity shapes and then re-shapes.
Accordingly, manuscripts should display a “postmodernist style” that moves easily and laterally across public as well as academic spheres, “inscribes” within as well as “scribes” against realist and modernist modes, and strives to be readable-across-multiple- narratives and “culturally relative” rather than “foundational.”
Inquiries, proposals, and manuscripts should be addressed to:
Joseph Natoli
Series Editor
20676jpn@msu.edu
or
Carola Sautter
Editor
SUNY Press
SUNY Plaza
Albany, NY 12246-0001
You are invited to submit papers for publication in the inaugural issue of PSYCHE: an interdisciplinary journal of research on consciousness (ISSN: 1039-723X).
PSYCHE is a refereed electronic journal dedicated to supporting the interdisciplinary exploration of the nature of consciousness and its relation to the brain. PSYCHE publishes material relevant to that exploration form the perspectives afforded by the disciplines of Cognitive Science, Philosophy, Psychology, Neuroscience, Artificial Intelligence, and Anthropology. Interdisciplinary discussions are particularly encouraged. PSYCHE publishes a large variety of articles and reports for a diverse academic audience four times per year. As an electronic journal, the usual space limitations of print journals do not apply; however, the editors request that potential authors do not attempt to abuse the medium. PSYCHE also publishes a hardcopy version simultaneously with the electronic version. Long articles published in the electronic format may be abbreviated, synopsized, or eliminated form the hardcopy version.
Types of Articles:
The journal publishes from time to time all of the following varieties of articles. Many of these (as indicated below) are peer reviewed; all articles are reviewed by editorial staff.
Research Articles reporting original research by author(s). Articles may be either purely theoretical or experimental or some combination of the two. Articles of special interest occasionally will be followed by a selection of peer commentaries. Peer Reviewed.
Survey Articles reporting on the state of the art research in particular areas. These may be done in the form of a literature review or annotated bibliography. More ambitious surveys will be peer reviewed.
Discussion Notes critiques of previous research. Peer Reviewed.
Tutorials introducing a subject area relevant to the study of consciousness to non-specialists.
Letters providing and informal forum for expressing opinions on editorial policy or upon material previously published in PSYCHE. Screened by editorial staff.
Abstracts summarizing the contents of recently published journal articles, books, and conference proceedings.
Book Reviews which indicate the contents of recent books and evaluate their merits as contributions to research and/or as textbooks.
Announcements of forthcoming conferences, paper submission deadlines, etc.
Advertisements of immediate interest to our audience will be published: available grants; positions; journal contents; proposals for joint research; etc.
Notes for Authors:
Unsolicited submissions of original works within any of the above categories are welcome. Prospective authors should send articles directly to the executive editor. Submissions should be in a single copy if submitted electronically of four (4) copies if submitted by mail.
Submitted matter should be preceded by: the author’s name; address; affiliation; telephone number; electronic mail address. Any submission to be peer reviewed should be preceded by a 100- 200 word abstract as well. Note that peer review will be blind, meaning that the prefatory material will not be made available to the referees. In the event that an article needs to be shortened for publication in the print version of PSYCHE, the author will be responsible for making any alterations requested by the editors.
Any figures required should be designed in screen-readable ASCII.
If that cannot be arranged, figures should be submitted as separate postscript files so that they can be printed out by readers locally.
Authors of accepted articles assign to PSYCHE the right to publish the text both electronically and as printed matter and to make it available permanently in an electronic archive. Authors will, however, retain copyright to their articles and may republish them in any forum so long as they clearly acknowledge PSYCHE as the original source of publication.
Subscriptions:
Subscriptions to the electronic version of PSYCHE may be initiated by sending the one-line command, SUBSCRIBE PSYCHE-L Firstname Lastname, in the body on an electronic mail message to:
LISTSERV@NKI.BITNET
******************************************************* * * * RESEARCH ON VIRTUAL RELATIONSHIPS * * - - - - - - - - - - - - - - - - - * * Have you had an interesting virtual relationship * * on electronic networks? A research team wants * * your story. Material acknowledged and terms * * respected. Both research articles and a * * general press (trade) book planned. * * * * Mail to Either Address * * USA: CANADA: * * -or- * * VIRTUAL, PALABRAS * * P.O. Box 46, Box 175, Stn. E * * Boulder Creek, Toronto, Ontario * * California 95006 CANADA M6H 4E1 * * * * E-Mail (internet): yfak0073@vm1.yorku.ca * * Fax: (to Canada): (416) 736-5986 * * -> Please re-post to relevant network sites <- * * ( A Distributed Knowledge Project Undertaking ) * *******************************************************
- Call for papers:SIXTIES GENERATIONS:
FROM MONTGOMERY TO VIET NAM
AN INTERDISCIPLINARY MEETING OF SCHOLARS, ARTISTS & ACTIVISTS
Second Annual Conference
November 4-6, 1994
Sponsored by _Viet Nam Generation_ and hosted by Western Connecticut State University, Danbury, CT
Call for papers, session proposals, readings, performance art pieces, and workshops.
Deadline for proposals: July 15, 1994.
The First Annual Sixties Generations conference was held March 4-6, 1993,in Fairfax, Virginia. It was sponsored by _Viet Nam Generation_ and the American Studies, Film Studies and African American Studies Programs of George Mason University. Sixty academic paper presentations, eight poetry and prose readings, one play reading and a concert filled three days. We also held a full-day roundtable discussion, “On the Sixties in the Nineties,” featuring participants who were activists in the Sixties and continue to be so today, including activists in SNCC, SDS, the Black Panther Party, the Yippies, various racial/ethnic formation, antiwar formations, political formations, women’s groups and cultural workers.
The event was such a success that _Viet Nam Generation_ decided to do it again this year. [Last year’s program is appended to this Call for Papers.] We welcome submissions in all disciplines, in all topic areas related to the 1960s in the U.S. and internationally.
SCHOLARLY PRESENTATIONS
Please send abstracts (250-500 words) describing your individual presentations, or collections of abstracts describing your panel proposals.
Panel sessions will be 90 minutes. Folks interested in putting together whole panels should limit the number of presenters to three, and hold the length of individual presentations down to 20 minutes each, so that sufficient time will be left for audience responses.
We welcome individual paper submissions on any topic related to the 1960s. Individual presenters should also limit their presentations to 20 minutes. We will assemble individual presenters into panels.
LITERARY READINGS, VIDEO, FILM, AND PERFORMANCE ART
If you are interested in reading prose or poetry, submit samples of your work (and tapes of previous of readings, if available). Readings will be limited to 25 minutes per reader.
We will consider videos, films, and performance art pieces of up to 45 minutes in length. Please send samples, tapes, video clips, or whatever documentation is most suitable for your medium.
WORKSHOP PROPOSALS
Activists interested in putting on workshops at the conference can propose either 40 minute or 90 minute sessions. Please send a description of the workshop and related materials or publications.
We welcome innovative ideas, so if you have an idea that doesn’t seem to fit into one of the categories described above, write and tell us about it.
Submit proposals either in hard-copy or over email to:
Viet Nam Generation
18 Center Road, Woodbridge, CT 06525
Fax: 203/389-6104
kalital@minerva.cis.yale.edu
_______________________
The morning session will focus on recollections and reflections on people’s involvement in movement work in the 60’s. The afternoon session will focus on the value of the lessons and the continuing agendas and methods of the 60’s movements as they affect the work of social justice in the 90’s.
We encourage conference participants to drop in on the Roundtable and join the ongoing discussion. Roundtable participants are also urged to visit other conference events and to join us for a cash bar, reception, and concert at the conclusion of the discussion.
Conference Panels
9:00-10:30am
Panel 9: Viet Nam War Film I
“Viet Nam War Film,” Cynthia Fuchs; “The Heart of Darkness Motif in Vietnam War Texts,” David L. Erben, Univ of South Florida; “Warren Beatty and the Draft,” Katherine Kinney, UC Riverside
10:45am-12:15pm
Panel 10: Sixties Popular Culture
“Folk Songs and Allusions to Folks Songs in the Repertoire of the Grateful Dead,” Josephine A. McQuail, Tennessee Tech Univ; “Beatles, Beach Boys, Leave It To Beaver, Mustangs, GTO’s Freedom Marches, a sexual revolution, a war and PTSD,” John Ketwig; “Talking about the Beatles,” Bernie Sanders
1:30-3:00pm
Panel 11: Performing Arts
“Planet Shakespeare: The Bard in Cold War America” Susan Fox, Washington, DC; “Shakespeare, Kerouac & Hedrick,” Donald K. Hedrick, Kansas State Univ; “West African Dance and Race/Culture and Gender Identity in Los Angeles African American Communities,” Phylise Smith, UCLA
Panel 12: Reinterpreting the Sixties V
“Peace Through Law: John Seiberling’s Vision of World Order,” Miriam Jackson, Kent, OH; “Reverend Malcolm Boyd and Bishop Paul Moore, Jr.,” Michael B. Friedland, Boston College; Eros on the New Frontier: The Limits of Liberal Tolerance,” Louis J. Kern, Hofstra Univ
3:15-4:45pm
Panel 13: The Viet Nam War
“The National Liberation Front in South Viet Nam,” Ton That Manh Tuong; “The Tet Offensive and Middletown: A Study in Contradiction,” Anthony O. Edmonds;”The Impact of the American Antiwar Movement on the South Vietnamese Urban Youth Struggle Movement,” Nguyen Huu Thai
Panel 14: Viet Nam War Film/Drama II
“Decentering Genre: Vietnam War Films and Portrayal of Reality,” Catherine E. Richardson, Chattanooga, TN; “The Death of the Sixties: Easy Rider & and Deliverance,” Margie Burns, Cheverly, MD;”Luis Valdez and Teatro Campesino,” Dave DeRose, Yale Univ
5:00-6:30pm
Panel 15: Music
“Folkore of the Viet Nam War,” Lydia Fish, SUNY-Buffalo; “In Country Songs,” Chuck Rosenberg; “Pilot Songs of the Viet Nam War,” Chip Dockery
7:30pm Concert & Reception
O.V. Hirsch
Chip Dockery
Chuck Rosenberg
splinter is a new electronic publication that seeks texts in various states of unfinish prose poetry neither both your scraps your scrytch your fragments your language doodles unfinished stories unfinished scenes unfinished sentences experiments freewriting drafts of drafts outlines bits of dialogue directionless musings stanzas that never found their way into poems flashes that dead-ended scribbled down and never became
no length guidelines / authors keep all rights
rolling submission, no deadlines
the contact address at this point is
dave1@gibbs.oit.unc.edu
send your submissions, subscription requests, questions, and comments (put SPLINTER somewhere in the subject line) e-mail subscriptions are free and encouraged
thanks
Deadline for submission: November 30, 1994.
To be published in 1995
Contributions are solicited on the following topics:
1. The centrality of ontological questions in postmodernist fiction and the contribution of the theory of possibleworlds in capturing and formulating the ontological issue. Inparticular: the stacking/embedding of realities, the transgression of ontological boundaries, the uses of recursive structures and their ontological implications.
2. Virtual reality (VR) as a technological implementation of the philosophical concept of possible world.
3. Challenges to the notion of actual world and alternatives to the “modal structure” in narrative universes. Hypertext and the decentralization of semantic universes. The theme of the disappearance of reality in fiction and theory.
4. Hyperrealism as parody of realism in postmodern culture. The philosophical basis of the concept of realism and its connection to virtual reality.
5. The thematization (especially in science fiction) of the concepts of virtual reality, parallel universes, alternative possible worlds, immersion in game-worlds, and interplanetary travel as a metaphor for movement across possible worlds.
6. Game-theory and the concept of immersion in virtual worlds–as either thematized or implemented in postmodernist fiction or popular fiction.
7. The myth of virtual reality in contemporary culture and media.
8. Virtual reality as a simulacrum. The role of simulacra (imitations, images, copies) in postmodern culture and fiction. The problematics of the relation between image and reality, sign and referent, original and copy and its implementation in postmodernist fiction.
Papers must be original contributions and will be refereed. Length should be between 20 and 40 pages, double spaced. Before submitting a paper, please contact the guest editor:
Marie-Laure Ryan
6207 Red Ridge Trail
Bellvue, Colorado 80512
mmryan@vines.colostate.edu
Call for Manuscripts
UNDERCURRENT is a free journal available on the Internet through e-mail subscriptions. (See end of this message for how to subscribe for free.) We are seeking article submissions or queries with abstracts providing an analysis of the present in terms of discourses, events, representations, classes, or cultures. We seek to publish analysis of the present from diverse intellectual perspectives–feminist, historical, ethnological, sociological, literary, political, semiotic, philosophical, cultural studies, and so forth. We seek applied analysis rather than theory. Any theoretical orientation ought instead to be apparent and immanent in your particular focus on the present. We especially encourage interdisciplinary work. Article length varies according to your needs, anywhere from “short-takes” of 500-1000 words to “feature” of up to 7500 words.
As its audience is potentially much broader than that of academic journals held only in university libraries, the style must account for an educated audience which is not necessarily familiar with either the jargon or the debates in a special field. UNDERCURRENT wishes to publish articles that address this broader audience while also conveying a vivid sense of how current academic scholarship can contribute to our understanding of the present. We are attempting to bridge the gulf between academia and the general reading public, a gulf which has allowed various misperceptions about academia to become politically overcharged in the popular media.
All submissions will receive a reply, however no copies can be returned. Any major citation format is acceptable, although endnotes must be used rather than footnotes due to the contingencies of various platforms for viewing electronic text. Submissions and queries can be sent in any of the following ways, in order of preference:
1.> e-mail to
heroux@darkwing.uoregon.edu
and note in the subject field that this is a submission to UNDERCURRENT
2.> Mail a floppy diskette with your text in ASCII or WordPerfect (address below).
3.> Mail two copies of your essay by traditional post to:
UNDERCURRENT
Erick Heroux
Dept. of English
University of Oregon
Eugene, OR 97403
ABOUT FREE SUBSCRIPTIONS: You can subscribe yourself to UNDERCURRENT by sending a one-line e-mail message:
SUBSCRIBE UNDERCURRENT YOURNAME@DOMAIN.WHERE
Address it to:
mailserv@oregon.uoregon.edu
Problems or questions can be e-mailed to
heroux@darkwing.uoregon.edu
FEMISA@mach1.wlu.ca
FEMISA is conceived as a list where those who work on or think about feminism, gender, women and international relations, world politics, international political economy, or global politics, can communicate.
Formally, FEMISA was established to help those members of the Feminist Theory and Gender Studies Section of the International Studies Association keep in touch. More generally, I hope that FEMISA can be a network where we share information in the area of feminism or gender and international studies about publications or articles, course outlines, questions about sources or job opportunities, information about conferences or upcoming events, or proposed panels and information related to the International Studies Association.
To subscribe:
send one line message in the BODY of mail-message
sub femisa your name
to:
listserv@mach1.wlu.ca
To unsub send the one line message
unsub femisa
to:
listserv@mach1.wlu.ca
I look forward to hearing suggestions and comments from you.
Owner: Deborah Stienstra
stienstr@uwpg02.uwinnipeg.ca
Department of Political Science
University of Winnipeg
HOLOCAUS on
LISTSERV@UICVM.BITNET
orLISTSERV@UICVM.UIC.EDU
HOLOCAUS@uicvm has become part of the stable of electronic mail discussion groups (“lists”) at the University of Illinois, Chicago. It is sponsored by the University’s History Department and its Jewish Studies Program.
To subscribe to HOLOCAUS, you need and Internet or Bitnet computer account. From that account, send this message to:
LISTSERV@UICVM.BITNET
orLISTSERV@uicvm.uic.edu
SUB HOLOCAUS Firstname Surname
Use your own Firstname and Lastname. You will be automatically added. You can read all the mail, and send your own postings to everyone on the list (We have about 100 subscribers around the world right now).
Owner:
JimMott@spss.com
The HOLOCAUS policies are:
- 1. The coverage of the list will include the Holocaust itself, and closely related topics like anti-Semitism, and Jewish history in the 1930’s and 1940’s, as well as related themes in the history of WW2, Germany, and international diplomacy.
- 2. We are especially interested in reaching college teachers of history who already have, or plan to teach courses on the Holocaust. In 1991-92, there were 265 college faculty in the US and Canada teaching courses on the Holocaust (154 in History departments, 67 in Religion, and 46 in Literature). An even larger number of professors teach units on the Holocaust in courses on Jewish history (taught by 273 faculty) and World War II (taught by 373), not to mention many other possible courses. Most of these professors own PC’s, but do not use them for e-mail. We hope our list will be one inducement to go on line. HOLOCAUS will therefore actively solicit syllabi, reading lists, termpaper guides, ideas on films and slides, and tips and comments that will be of use to the teacher who wants to add a single lecture, or an entire course.
- 3. H-Net is now setting up an international board of editors to guide HOLOCAUS policy and to help stimulate contributions.
- 4. HOLOCAUS is moderated by Jim Mott (JimMott@spss.com), a PhD in History. The moderator will solicit postings (by e- mail, phone and even by US mail), will assist people in subscribing and setting up options, will handle routine inquiries, and will consolidate some postings. The moderator will also solicit and post newsletter type information (calls for conferences, for example, or listings of sessions at conventions). It may prove feasible to commission book and article reviews, and to post book announcements from publishers. Anyone with suggestions about what HOLOCAUS can and might do is invited to send in the ideas.
- 5. The tone and target audience will be scholarly, and academic standards and styles will prevail. HOLOCAUS is affiliated with the International History Network.
- 6. HOLOCAUS is a part of H-Net, a project run by computer- oriented historians at the U of Illinois. We see moderated e-mail lists as a new mode of scholarly communication; they have enormous potential for putting in touch historians from across the world. Our first list on urban history, H- URBAN@UICVM, recently started up with Wendy Plotkin as moderator. H-WOMEN is in the works, with discussions underway about other possibilities like Ethnic, Labor, and US South. We are helping our campus Jewish Studies program set up JSTUDY (restricted to the U of Illinois Chicago campus, for now), and are considering the creation of H- JEWISH, also aimed at academics, but covering the full range of scholarship on Jewish history. If you are interested in any of these projects, please e-write Richard Jensen, for we are now (as of late April) in a critical planning stage.
- 7. H-Net has an ambitious plan for training historians across the country in more effective use of electronic communications. Details of the H-Net plan are available on request from Richard Jensen, the director, at: campbelld@apsu or u08946@uicvm.uic.edu
NewJour-L aims to accomplish two objectives; it is both a list and a project.
FIRST:
NewJour-L is the place to announce your own (or to forward information about others’) newly planned, newly issued, or revised electronic networked journal or newsletter. It is specially dedicated for those who wish to share information in the planning, gleam-in-the-eye stage or at a more mature stage of publication development and availability.
It is also the place to announce availability of paper journals and newsletters as they become available on electronic networks. Scholarly discussion lists which regularly and continuously maintain supporting files of substantive articles or preprints may also be reported, for those journal-like sections.
We hope that those who see announcements on Bitnet, Internet, Usenet or other media will forward them to NewJour-L, but this does run a significant risk of boring subscribers with a number of duplicate messages. Therefore, NewJour-L IS filtered through a moderator to eliminate this type of duplication.
It does not attempt to cover areas that are already covered by other lists. For example, sources like NEW-LIST describe new discussion lists; ARACHNET deals with social and cultural issues of e-publishing; VPIEJ-L handles many matters related to electronic publishing of journals. SERIALST discusses the technical aspects of all kinds of serials. You should continue to subscribe to these as you have done before, and contribute to them.
SECOND:
NewJour-L represents an identification and road-mapping project for electronic journals and newsletters, begun by Michael Strangelove, University of Ottawa. NewJour-L will expand and continue that work.
As new publications are reported, a NewJour-L support group will develop the following services — planning is underway & we ask that anyone who would like to participate as below, let us know:
- A worksheet will be sent to the editors of the new e-publication for completion. This will provide detailed descriptions about bibliographic, content, and access characteristics.
- An original cataloguing record will be created.
- The fully catalogued title will be reported to national utilities and other appropriate sites so that there is a bibliographic record available for subsequent subscribers or searchers.
- The records will feed a directory and database of these titles.
Not all the of the implementation is developed, and the work will expand over the next year. We thank you for your contributions, assistance, and advice, which will be invaluable.
SUBSCRIBING:
To subscribe, send a message to:
LISTSERV@e-math.ams.orgLeave the subject line blank.
In the body, type: SUBSCRIBE NewJour-L FirstName LastName
You will have to subscribe in order to post messages to this list.
To drop out or postpone, use the standard LISTSERV (Internet) directions.
ACKNOWLEDGMENT:
For their work in defining the elements of this project and for their support to date, we thank:
Michael Strangelove, University of Ottawa, Advisor
David Rodgers, American Mathematical Society, Systems & Network Support
Edward Gaynor, University of Virginia Library, Original Cataloguing Development
John Price-Wilkin, University of Virginia Library, Systems & Network Support
Birdie MacLennan, University of Vermont Library, Cataloguing and Indexing Development
Diane Kovacs, Kent State University Library, Advisor
We anticipate this will become a wider effort as time passes, and we welcome your interest in it. This project is co-ordinated through:
The Association of Research Libraries
Office of Scientific & Academic Publishing
21 Dupont Circle, Suite 800
Washington, DC 20036
e-mail: osap@cni.org
(Ann Okerson)
Scholastic Network, Scholastic Inc. is pleased to announce a new list dedicated to the discussion of the National Information Infrastructure and its role in education.
As you know, policy decisions made about the NII will affect how teachers and students use online services, how they will be accessed, how they will be paid for, and who will be able to get these services first.
We are encouraging you to share your views on the NII and what it should offer teachers. Moderators of this list are Bonnie Bracey, the Arlington, VA classroom teacher appointed to the NII Advisory panel, Leni Donlan of CoSN (the Consortium for School Networking) and Jane Coffey, a teacher-member of the Scholastic Network.
This unmoderated list will only be on-line from March through June 1994. All classroom teachers and others interested in sharing feedback about education for the NII advisory group are invited to participate.
To subscribe to NII-TEACH, send email to:
NII-Teach-request@scholastic.com
Leave the subject line blank.
The text of the message should say:
subscribe NII-Teach yourfirstname yourlastname
The POPCULT list is now in place. It is open to analytical discussion of all aspects of popular culture. The list will not be moderated. Material relevant to building bridges between popular culture and traditional culture will be very strongly encouraged.
To subscribe, unsubscribe, get help, etc, send a message to:
mailserv@camosun.bc.ca
There should not be anything in the ‘Subject:’ line and the body of the message should have the specific keyword on a line by itself.
Some keywords are:
SUBSCRIBE POPCULT
HELP
LISTS
SEND/LIST POPCULT
UNSUBSCRIBE POPCULT
It is possible to send multiple commands, each on a separate line. Do not include your name after SUBSCRIBE POPCULT. In some ways this server is a simplified version of the major servers, but it is also more streamlined. I recommend, to start, that you put SUBSCRIBE on one line, and HELP on the next line. That will give you a full listing of available commands.
To send messages to the list for distribution to list members for exchange of ideas, etc, send messages to:
popcult@camosun.bc.ca
Owner:Peter Montgomery Montgomery@camosun.bc.ca Professor Dept of English ph (604) 370-3342 (o) Camosun College (fax) (604) 370-3346 3100 Foul Bay Road Victoria, BC Off. Paul Bldg 326 CANADA V8P 5J2
Below is a full list of application deadlines for NEH programs, plus contact numbers for individual programs. All telephone numbers are in area code 202. To receive guidelines for any NEH program, contact the Office of Publications and Public Affairs at (202) 606-8438. Guidelines are normally available at least two months in advance of application deadlines.
DIVISION OF EDUCATION PROGRAMS
James C. Herbert, Director (606-8373)
PROGRAM / CONTACT DEADLINE PROJECTS BEGINNING
Higher Education in the Humanities (Lyn Maxwell White; 606-8380) 1 April 1994 October 1994
Institutes for College & University Faculty (Barbara Ashbrook; 606-8380) 1 April 1994 Summer 1995
Science & Humanities Education (Susan Greenstein; 606-8380) 15 March 1994 October 1994
Core Curriculum Projects (Fred Winter; 606-8380) 1 April 1994 October 1994
Two-Year Colleges (Judith Jeffrey Howard; 606-8380) 1 April 1994 October 1994
Challenge Grants (Thomas Adams; 606-8380) 1 May 1994 December 1994
Elementary & Secondary Education in the Humanities (F. Bruce Robinson; 606-8377) 15 March 1994 December 1994
Teacher-Scholar Program (Annette Palmer; 606-8377) 1 May 1994 September 1995
Special Opportunity in Foreign Language Education Higher Education (Lyn Maxwell White; 606-8380) 15 March 1994 October 1994
Elementary & Secondary Education (F. Bruce Robinson; 606-8377) 15 March 1994 October 1994
DIVISION OF FELLOWSHIPS & SEMINARS
Marjorie A. Berlincourt, Director (606-8458)
PROGRAM / CONTACT DEADLINE PROJECTS BEGINNING Fellowships for University Teachers (Maben D. Herring; 606-8466) 1 May 1994 1 January 1995 Fellowships for College Teachers & Independent Scholars (Joseph B. Neville; 606-8466) 1 May 1994 1 January 1995 Summer Stipends (Thomas O'Brien; 606-8466) 1 October 1994 1 May 1995 Faculty Graduate Study Program for HBCUs (Maben D. Herring; 606-8466) 15 March 1994 1 September 1995 Younger Scholars Program (Leon Bramson; 606-8463) 1 November 1994 1 May 1995 Dissertation Grants (Kathleen Mitchell; 606-8463) 15 November 1994 1 September 1995 Study Grants for College & University Teachers (Clayton Lewis; 606-8463) 15 August 1994 1 May 1995 Summer Seminars for College Teachers (Joel Schwartz; 606-8463) Participants 1 March 1994 Summer 1994 Directors 1 March 1994 Summer 1995 Summer Seminars for School Teachers (Michael Hall; 606-8463) Participants 1 March 1994 Summer 1994 Directors 1 April 1994 Summer 1995
DIVISION OF PRESERVATION & ACCESS
George F. Farr, Jr., Director (606-8570)
PROGRAM / CONTACT DEADLINE PROJECTS BEGINNING Library & Archival Research Projects (Vanessa Piala/Charles Kolb; 606-8570) 1 June 1994 January 1995 Library & Archival Preservation/Access Projects (Karen Jefferson/Barbara Paulson; 606-8570) 1 June 1994 January 1995 National Heritage Preservation Program (Richard Rose/Laura Word; 606-8570) 1 November 1994 July 1995 U. S. Newspaper Program (Jeffrey Field; 606-8570) 1 June 1994 July 1995
DIVISION OF PUBLIC PROGRAMS
Marsha Semmel, Acting Director (606-8267)
PROGRAM / CONTACT DEADLINE PROJECTS BEGINNING Humanities Projects in Media (James Dougherty; 606-8278) 11 March 1994 1 October 1994 Humanities Projects in Museums & Historical Organizations (Fredric Miller; 606-8284) 3 June 1994 1 January 1995 Public Humanities Projects (Wilsonia Cherry; 606-8271) 11 March 1994 1 October 1994 Humanities Projects in Libraries (Thomas Phelps; 606-8271)
Planning 4 February 1994 1 July 1994 Implementation 11 March 1994 1 October 1994 Challenge Grants (Abbie Cutter; 606-8361) 1 May 1994 December 1994
DIVISION OF RESEARCH PROGRAMS
Guinevere L. Griest, Director (606-8200)
PROGRAM / CONTACT DEADLINE PROJECTS BEGINNING Scholarly Publications (Margot Backas; 606-8207) Editions (Douglas Arnold; 606-8207) 1 June 1994 1 April 1995 Translations (Helen Aguerra; 606-8207) 1 June 1994 1 April 1995 Subventions (606-8207) 15 March 1994 1 October 1994 Reference Materials (Jane Rosenberg; 606-8358) Tools (Martha B. Chomiak; 606-8358) 1 September 1994 1 July 1995 Guides (Michael Poliakoff; 606-8358) 1 September 1994 1 July 1995 Challenge Grants (Bonnie Gould; 606-8358) 1 May 1994 December 1994 Interpretive Research Programs (George Lucas; 606-8210) Collaborative Projects (Donald C. Mell; 606-8210) 15 October 1994 1 July 1995 Archaeology Projects (Bonnie Magness-Gardiner; 606-8210) 15 October 1994 1 April 1995 Humanities, Science, and Technology (Daniel Jones; 606-8210) 15 October 1994 1 July 1995 Conferences (David Coder; 606-8210) 15 January 1994 1 October 1994 Centers & International Research Organizations (Christine Kalke; 606-8210) Centers for Advanced Study 1 October 1994 1 July 1995 International Research 1 April 1994 1 January 1995
DIVISION OF STATE PROGRAMS
Carole Watson, Director (606-8254)
Each state humanities council establishes its own grant guidelines and application deadlines. Addresses and telephone numbers of these state programs may be obtained from the NEH Division of State Programs.
CHALLENGE GRANTS PROGRAM
Applications are submitted through the Divisions of Education, Research, and Public Programs. Deadline is 1 May 1994 for projects beginning December 1994.
Announcing the “gopheur LITTERATURES” at the Universite de Montreal.
Address:
gopher.litteratures.Umontreal.ca 7070
or through the University of Montreal Main Gopher:
Address:
gopher.Umontreal.ca
Gopher servers are sprouting like mushrooms these days. Not only universities have gopher servers, but also departments now. They can be very useful tools to locate information and students here are very fond of them. They are also the first step towards much more sophisticated modes of accessing collections of research and bibliographic data, e-texts, etc…
The “Gopheur LITTERATURES” at the Universite de Montreal (UdM) just happens to be the first gopher dedicated to teaching, research and publications on French Literature, Quebecois Literature and Francophone Literatures, and also the first gopher to do so in french, albeit without the accents for the moment. (In the future we will offer the choice between ASCII and ISO-LATIN, as is currently being done on others gophers in the province of Quebec).
The “Gopheur LITTERATURES” is in construction. This means it will be evolving. Items on the main menu indicate a program of research conducted at the Department of etudes francaises. The goal of the gopher is to offer electronic documentation on the Departement d’etudes francaises, and to establish a resource center for information, tools, links, documents, local and international, to be used by the computing community of French scholars and students.
All comments and suggestions of sites of interest to French Studies should be sent to:
Gophlitt@ere.Umontreal.ca
or
Christian Allegre
allegre@ere.umontreal.ca
Universite de Montreal
Departement d’etudes francaises
AMERICAN LIT ANTHOLOGY #1 (upgraded April 1994) one disk, 1.1 Mbyte Red Badge of Courage by Stephen Crane Chicago Poems by Carl Sandburg The Call of the Wild by Jack London Our Mr. Wrenn -- Romantic Adventures of a Gentle Man by Sinclair Lewis Renascence & other poems by Edna St. Vincent Millay LOUISA MAY ALCOTT one disk, 1.1 Mbytes Little Women HORATIO ALGER one disk, 900 Kbytes Cast Upon the Breakers Ragged Dick or Street Life in New York Struggling Upward AMBROSE BIERCE one disk, 800 Kbytes Can Such Things Be, The Devil's Dictionary WILLA CATHER two disks, $10 each, $20 for the set Disk #1 (1.2 Mbytes) -- O Pioneers! The Song of the Lark Disk #2 (200 Kbytes) -- Alexander's Bridge JAMES FENIMORE COOPER #1 one disk, 1 Mbyte, SGML The Last of the Mohicans NATHANIEL HAWTHORNE one disk, 1.2 Mbytes House of the Seven Gables The Scarlet Letter HENRY JAMES two disks, both SGML, $10 each, $20 for the set Disk #1 (900 Kbytes) -- The Europeans, Confidence Disk #2 (1.2 Mbytes) -- Roderick Hudson, Watch and Ward JACK LONDON two disks, both SGML, $10 each, $20 for the set Disk #1 (1.2 Mbytes) -- Sea Wolf, Stories Disk #2 (900 Kbytes) -- Klondike, White Fang HERMAN MELVILLE two disks, SGML, $10 each, $20 for the set Disk #1 (800 Kbytes) -- Moby Dick #1 Disk #2 (690 Kbytes) -- Moby Dick #2 CHRISTOPHER MORLEY one disk, 300 Kbytes Parnassus on Wheels FRANK NORRIS #1 one disk, 800 Kbytes The Pit EDGAR ALLAN POE 28 tales on one disk, 1 Mbyte These include The Gold-Bug, The Murders in the Rue Morgue, The Fall of the House of Usher, etc. MARK TWAIN four disks, $10 each, $40 for the set Disk #1 (1 Mbyte) -- Tom Sawyer, Huckleberry Finn Disk #2 (1.1 Mbyte) -- A Connecticut Yankee in King Arthur's Court, Tom Sawyer Abroad, Tom Sawyer Detective, Extracts from Adam's Diary, The Great Revolution in Pitcairn, A Ghost Story, Niagara, My Watch, Political Economy, A New Crime Disk #3 (900 Kbytes) -- What Is Man? and Other Essays, The Tragedy of Pudd'nhead Wilson (upgraded Dec. 1993) Disk #4 (1 Mbyte) -- A Tramp Abroad
BEOWULF TO 1800
CANTERBURY /BEOWULF/GAWAYNE
one disk, 1.1 Mbytes
Canterbury Tales by Chaucer
Beowulf translated by Francis Gummere
Sir Gawayne and the Grene Knyght (SGML)
Gammer Gurton's Needle (SGML)
SHAKESPEARE
five disks, each of which includes a glossary in addition
to the Shakespeare texts, $10 each, $50 for the set
Disk #1 (1.1 Mbytes) -- Hamlet, Lear, Macbeth, Othello,
Antony and Cleopatra, Julius Caesar, Romeo and Juliet
Disk #2 (1 Mbyte) -- All's Well That Ends Well, As You Like
It, Love's Labor's Lost, Midsummer Night's Dream , Much
Ado About Nothing ,Taming of the Shrew, Twelfth Night
Disk #3 (1.3 Mbytes) -- Henry IV Parts 1 and 2, Henry V,
Henry VI Parts 1, 2 and 3,, Richard II, Richard III
Disk #4 (1 Mbyte) -- Tempest, Winter's Tale, Cymbeline,
Measure for Measure, Merchant of Venice, Two Gentlemen of
Verona, Comedy of Errors, Sonnets, A Lover's Complaint,
Other Poems
Disk #5 (1.3 Mbytes) -- Coriolanus, Troilus and Cressida,
Henry VIII, King John, Pericles, Timon of Athens, Titus
Andronicus, Merry Wives of Windsor, Rape of Lucrece, Venus
and Adonis
BEN JONSON #1
one disk, 600 Kbytes
Bartholomew Fair
Volpone
JOHN MILTON
one disk, 600 Kbytes
Paradise Lost, Paradise Regained
MOORE/BACON/DRYDEN/MARVELL
one disk, 1.2 Mbytes
Utopia by Thomas Moore
New Atlantis by Francis Bacon
John Dryden's translation of The Aeneid
Poems by Andrew Marvell (SGML)
JOHN GAY/JOHN BUNYAN
one disk 500 Kbytes
The Beggar's Opera
Pilgrim's Progress
***1800-1918
JANE AUSTEN #1
one disk, 1 Mbyte
Persuasion
Northanger Abbey
EMILY BRONTE
one disk, 675 Kbytes
Wuthering Heights
WILKIE COLLINS
two disks, SGML, $10 each, $20 for the set
Disk #1 (800 Kbytes) -- Woman in White #1
Disk #2 (800 Kbytes) -- Woman in White #2
JOSEPH CONRAD
two disks, $10 each, $20 for the set
Disk #1 (1.1 Mbytes) -- Lord Jim, The Secret Sharer,
The Heart of Darkness
Disk #2 (400 Kbytes) -- The Nigger of the Narcissus (SGML)
CHARLES DICKENS
three disks, $10 each, $30 for the set
Disk #1 (600 Kbytes) -- A Christmas Carol, The Chimes,
The Cricket on the Hearth
Disk #2 (900 Kbytes) -- A Tale of Two Cities
Disk #3 (1.1 Mbytes) SGML -- Great Expectations
ARTHUR CONAN DOYLE
four disks, $10 each, $40 for the set
Disk #1 (1.1 Mbytes) --The Adventures of Sherlock Holmes,
The Casebook of Sherlock Holmes
Disk #2 (1.1 Mbytes) -- The Return of Sherlock Holmes, A
Study in Scarlet, The Poison Belt
Disk #3 (1.1 Mbytes) -- Through the Magic Door, The Memoirs
of Sherlock Holmes, The Sign of the Four
Disk #4 (1 Mbyte) -- His Last Bow, The Hound of the
Baskervilles, The Valley of Fear
ELIZABETH GASKELL #1
one disk, 300 Kbytes, SGML
Some Passages from the History of the Chomley Family
H. RYDER HAGGARD #1
one disk, 500 Kbytes
King Solomon's Mines
THOMAS HARDY
three disks, $10 each, $30 for the set
Disk #1 (800 Kbytes) -- Far from the Madding Crowd
Disk #2 (1 Mbyte) -- Tess of the D'Urbervilles
this disk is available in either SGML or plain ASCII, please
specify
Disk #3 (900 Kbytes) -- Return of the Native
ANTHONY HOPE
one disk, 400 Kbytes
The Prisoner of Zenda
SOMERSET MAUGHAM
two disks, $10 each, $20 for the set
Disk #1 (700 Kbytes) -- Of Human Bondage chapters 1-59
Disk #2 (800 Kbytes) -- Of Human Bondage chapters 60-end
WILLIAM MORRIS
one disk, 500 Kbytes, SGML
News from Nowhere or an Epoch of Rest, Being Some
Chapters from a Utopian Romance
BARONESS ORCZY
one disk, 600 Kbytes
The Scarlet Pimpernel
SIR WALTER SCOTT
two disks, $10 each, $20 for the set
Disk #1 (1.2 Mbytes) -- Ivanhoe
Disk #2 (1.1 Mbytes) -- Chronicles of the Canongate,
Keepsake Stories
ROBERT LOUIS STEVENSON
two disks, $10 each, $20 for the set
Disk #1 (1 Mbyte) -- Kidnapped, Dr. Jekyll & Mr. Hyde, Treasure
Island
Disk #2 (600 Kbytes) -- New Arabian Nights
Disk #3 (900 Kbytes) -- The Wrecker
ANTHONY TROLLOPE
eleven disks, SGML, $10 each, $110 for the set
Ayala's Angel, one disk, 1.3 Mbytes
Rachel Ray, one disk, 900 Kbytes
Wortle's School, Lady Anna, one disk, 1.3 Mbytes
Phineas Finn, two disks, 900 and 800 Kbytes
Redux, two disks, 800 Kbytes each
The Eustace Diamonds, Volume 1, two disks, 800 Kbytes each
Can You Forgive Her?, two disks, 900 Kbyte and 1 Mbyte
Please let us know if you would like to receive by email other sublists (listed below), our complete current list of 240 disks, or information on how to order.
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Explore the urban unknown. Spelunk under bridges in Chicago with international artist. Call Keith at 313.995-3490.
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