Volume 10, Number 2, January 2000
Table of Contents
Flickering Connectivities in Shelley Jackson’s Patchwork Girl: The Importance of Media-Specific Analysis
N. Katherine Hayles
Tamise Van Pelt
“Grotesque Caricature: Stanley Kubrick’s Eyes Wide Shut as the Allegory of Its Own Reception.” A review of Stanley Kubrick’s Eyes Wide Shut. Screenplay by Stanley Kubrick and Frederic Raphael. Perf. Tom Cruise, Nicole Kidman, and Sydney Pollack. Warner Brothers, 1999.
“Brecht Our (Post-) Contemporary.” A review of Fredric Jameson, Brecht and Method. London and New York: Verso, 1998.
“Veiled and Revealed.” A review of Meyda Yegenoglu, Colonial Fantasies: Towards a Feminist Reading of Orientalism. London and New York: Cambridge UP, 1998.
“Past, Present and Future: New Historicism versus Cultural Materialism.” A review of John Brannigan, New Historicism and Cultural Materialism. New York: MacMillan, 1998.
“The Truth About Pina Bausch: Nature and Fantasy in Carnations.” A review of Pina Bausch, Carnations. Perf. Tanztheater Wuppertal. Gammage Auditorium, Tempe. 22 October 1999.
“The Critical Idiom of Postmodernity and Its Contributions to an Understanding of Complexity.” A review of Paul Cilliers, Complexity and Postmodernism: Understanding Complex Systems. London: Routledge, 1998.
“Near Collisions: Rhetorical Cultural Studies or a Cultural Rhetorical Studies?” A review of Thomas Rosteck, ed., At the Intersection: Cultural Studies and Rhetorical Studies. New York: Guilford, 1999.
“Utopian Ironies.” A review of Andrew Ross, The Celebration Chronicles: Life, Liberty, and the Pursuit of Property Value in Disney’s New Town. New York: Ballantine Books, 1999.