Volume 13, Number 1, September 2002

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Table of Contents




The Baudrillardian Symbolic, 9/11, and the War of Good and Evil

Bradley Butterfield


Reading Gravity’s Rainbow After September Eleventh: An Anecdotal Approach

David Rando


“You Have Unleashed a Horde of Barbarians!”: Fighting Indians, Playing Games, Forming Disciplines

Christopher Douglas


Documentary Prison Films and the Production of Disciplinary Institutional “Truth”

Janet Holtman


Review Essay


“Saussure and the Grounds of Interpretation.” A review of Roy Harris, Saussure and His Interpreters. New York: New York UP, 2001.

David Herman




“The Victorian Postmodern.” A review of John Kucich and Dianne F. Sadoff, eds., Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century. Minneapolis: U of Minnesota P, 2001.

Jason Camlot


“Hip Librarians, Dweeb Chic: Romances of the Archive.” A review of Suzanne Keen. Romances of the Archive in Contemporary British Fiction. Toronto: U of Toronto P, 2001.

Amy J. Elias


“What is Postanarchism ‘Post’?” A review of Saul Newman, From Bakunin to Lacan: Anti-Authoritarianism and the Dislocation of Power. Lanham, MD: Lexington, 2001.

Jesse Cohn


“Photo-Performance in Cyberspace: The CD-ROMs of Hugo Glendinning and Tim Etchells with Forced Entertainment.” A review of Frozen Palaces. CD-ROM by Hugo Glendinning and Tim Etchells with Forced Entertainment. Collected on artintact 5, produced by Zentrum für Kunst und Medientechnologie Karlsruhe (ZKM), 1999. Buchhandelsausgabe/Trade Edition; and Nightwalks. CD-ROM by Hugo Glendinning and Tim Etchells with Forced Entertainment. Sheffield, UK: Forced Entertainment, 1998.

Andrew Kimbrough




On Joseph Tate’s “Radiohead’s Antivideos: Works of Art in the Age of Electronic Reproduction,” Postmodern Culture 13.1.