Volume 07, Number 1, September 1996

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Table of Contents




Jameson’s Lacan

Steven Helmling


Representation Represented: Foucault, Velázquez, Descartes

Véronique M. Fóti


Special Section

Psychoanalysis and Cultural Studies

Graham Hammill, guest editor


Guides to the Electropolis: Toward a Spectral Critique of the Media

Allen Meek


Saving Philosophy in Cultural Studies: The Case of Mother Wit

Angelika Rauch


Poststructuralist Paraesthetics and the Phantasy of the Reversal of Generations

Vadim Linetski


Popular Culture Column



David Golumbia





Matthew Miller


Review Essays


“Confessions of a Net Surfer: Net Chick and Grrrls on the Web.” Review of Carla Sinclair, Net Chick: A Smart-Girl Guide to the Wired World. New York: Henry Holt and Company, 1996.

Carina Yervasi


“‘Head Out On the Highway’: Anthropological Encounters with the Supermodern.” Review of Marc Auge, Non-Places: Introduction to an Anthropology of Supermodernity. New York: Verso, 1995.

Samuel Collins


“Whose Opera Is This, Anyway?” Review of Tod Machover and MIT Media Lab’s interactive Brain Opera, performed at Lincoln Center, NYC, July 23-August 3, 1996.

Jon Ippolito


“Music and Noise: Marketing Hypertexts.” Review of Eastgate Systems, Inc.

Thomas Swiss


“(Re)Presenting the Renaissance on a Post-Modern Stage.” Review of Susan Bennett, Performing Nostalgia: Shifting Shakespeare and the Contemporary Past. London and New York: Routledge, 1996.

Theresa Smalec


Multiplicity: Una Vista de Nada.” Review of Multiplicity, directed by Harold Ramis, Columbia Pictures, 1996.

Crystal Downing


“Resistance in Rhyme.” Review of Russell Potter, Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. Albany: SUNY, 1995.

Brent Wood