Volume 07, Number 1, September 1996

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Table of Contents

 
 
 

Articles

 

Jameson’s Lacan

Steven Helmling

 

Representation Represented: Foucault, Velázquez, Descartes

Véronique M. Fóti

 
 
 

Special Section

Psychoanalysis and Cultural Studies

Graham Hammill, guest editor

 
 
 

Guides to the Electropolis: Toward a Spectral Critique of the Media

Allen Meek

 

Saving Philosophy in Cultural Studies: The Case of Mother Wit

Angelika Rauch

 

Poststructuralist Paraesthetics and the Phantasy of the Reversal of Generations

Vadim Linetski

 
 
 

Popular Culture Column

 

Hypercapital

David Golumbia

 
 
 

Hypertext

 

TRIP

Matthew Miller

 
 
 

Review Essays

 

“Confessions of a Net Surfer: Net Chick and Grrrls on the Web.” Review of Carla Sinclair, Net Chick: A Smart-Girl Guide to the Wired World. New York: Henry Holt and Company, 1996.

Carina Yervasi

 

“‘Head Out On the Highway’: Anthropological Encounters with the Supermodern.” Review of Marc Auge, Non-Places: Introduction to an Anthropology of Supermodernity. New York: Verso, 1995.

Samuel Collins

 

“Whose Opera Is This, Anyway?” Review of Tod Machover and MIT Media Lab’s interactive Brain Opera, performed at Lincoln Center, NYC, July 23-August 3, 1996.

Jon Ippolito

 

“Music and Noise: Marketing Hypertexts.” Review of Eastgate Systems, Inc.

Thomas Swiss

 

“(Re)Presenting the Renaissance on a Post-Modern Stage.” Review of Susan Bennett, Performing Nostalgia: Shifting Shakespeare and the Contemporary Past. London and New York: Routledge, 1996.

Theresa Smalec

 

Multiplicity: Una Vista de Nada.” Review of Multiplicity, directed by Harold Ramis, Columbia Pictures, 1996.

Crystal Downing

 

“Resistance in Rhyme.” Review of Russell Potter, Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. Albany: SUNY, 1995.

Brent Wood

 

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Letters