Volume 10, Number 2, January 2000

Articles

Stuplimity: Shock and Boredom in Twentieth-Century Aesthetics

Sianne Ngai

Flickering Connectivities in Shelley Jackson’s Patchwork Girl: The Importance of Media-Specific Analysis

N. Katherine Hayles

Dada Photomontage and net.art Sitemaps

George Dillon

Stop Making Sense: Fuck ’em and Their Law (… It’s Only I and O but I Like It…)

Bernd Herzogenrath

Otherness

Tamise Van Pelt

Review Essay

“Grotesque Caricature: Stanley Kubrick’s Eyes Wide Shut as the Allegory of Its Own Reception.” A review of Stanley Kubrick’s Eyes Wide Shut. Screenplay by Stanley Kubrick and Frederic Raphael. Perf. Tom Cruise, Nicole Kidman, and Sydney Pollack. Warner Brothers, 1999.

Stefan Mattessich

Reviews

“Brecht Our (Post-) Contemporary” A review of Fredric Jameson, Brecht and Method

Steven Helmling

“Veiled and Revealed” A review of Meyda Yegenoglu, Colonial Fantasies: Towards a Feminist Reading of Orientalism

Nezih Erdogan

“Past, Present and Future: New Historicism versus Cultural Materialism” A review of John Brannigan, New Historicism and Cultural Materialism

Jürgen Pieters

“The Truth About Pina Bausch: Nature and Fantasy in Carnations” A review of Pina Bausch, Carnations

Lynn Houston

“The Critical Idiom of Postmodernity and Its Contributions to an Understanding of Complexity” A review of Paul Cilliers, Complexity and Postmodernism: Understanding Complex Systems

Matthew Abraham

“Near Collisions: Rhetorical Cultural Studies or a Cultural Rhetorical Studies?” A review of Thomas Rosteck, ed., At the Intersection: Cultural Studies and Rhetorical Studies

Brad Lucas

“Utopian Ironies” A review of Andrew Ross, The Celebration Chronicles: Life, Liberty, and the Pursuit of Property Value in Disney’s New Town

David Schuermer