POSTMODERN CULTURE

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Volume 17, Number 3 May, 2007

Works

Motor Intentionality: Gestural Meaning in Bill Viola and Merleau-Ponty

Carrie Noland

The Swerve Around P: Literary Theory after Interpretation

Jeffrey T. Nealon

Riven: Badiou’s Ethical Subject and the Event of Art as Trauma

Robert Hughes

Badiou’s Equations–and Inequalities: A Response to Robert Hughes’s “Riven”

Arkady Plotnitsky

Toward a Photography of Love: The Tain of the Photograph in Anne Carson’s Autobiography of Red

E.L. McCallum

Narrowing the Range of Permissible Lies: Recent Battles in the International Image Tribunal

Jim Hicks

Reviews

“Adorno Public and Private” A review of T.W. Adorno, History and Freedom: Lectures 1964-1965; Letters to His Parents: 1939-1951; Adorno and Thomas Mann, Correspondence 1943-1955; and Christina Gerhardt, ed., “Adorno and Ethics”

Steven Helmling

“Futures of Negation: Jameson’s Archaeologies of the Future and Utopian Science Fiction.” A review of Fredric Jameson, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions

Kyle A. Wiggins

Performance and Politics in Contemporary Poetics: Three Recent Titles from Atelos Press

Eric Keenaghan

“BONKS and BLIGHTY? Oh, Tabloid Britain!” A review of Martin Conboy, Tabloid Britain: Constructing A Community Through Language

Brook Miller

POSTMODERN CULTURE

JOURNAL OF INTERDISCIPLINARY THOUGHT ON CONTEMPORARY CULTURES

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