POSTMODERN CULTURE
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Volume 17, Number 3 May, 2007
Works
Motor Intentionality: Gestural Meaning in Bill Viola and Merleau-Ponty
Carrie Noland
The Swerve Around P: Literary Theory after Interpretation
Jeffrey T. Nealon
Riven: Badiou’s Ethical Subject and the Event of Art as Trauma
Robert Hughes
Badiou’s Equations–and Inequalities: A Response to Robert Hughes’s “Riven”
Arkady Plotnitsky
Toward a Photography of Love: The Tain of the Photograph in Anne Carson’s Autobiography of Red
E.L. McCallum
Narrowing the Range of Permissible Lies: Recent Battles in the International Image Tribunal
Jim Hicks
Reviews
“Adorno Public and Private” A review of T.W. Adorno, History and Freedom: Lectures 1964-1965; Letters to His Parents: 1939-1951; Adorno and Thomas Mann, Correspondence 1943-1955; and Christina Gerhardt, ed., “Adorno and Ethics”
Steven Helmling
“Futures of Negation: Jameson’s Archaeologies of the Future and Utopian Science Fiction.” A review of Fredric Jameson, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions
Kyle A. Wiggins
Performance and Politics in Contemporary Poetics: Three Recent Titles from Atelos Press
Eric Keenaghan
“BONKS and BLIGHTY? Oh, Tabloid Britain!
” A review of Martin Conboy,
Tabloid Britain: Constructing A Community Through Language
Brook Miller