Volume 28, Number 2, January 2018

Works

Darkroom Material: Race and the Chromogenic Print Process  

Lily Cho

暗房材料:种族和显色印刷工艺
A translation of 曹美贵 (Lily Cho), Darkroom Material: Race and the Chromogenic Print Process

Guanglong Pang

Agential Orange: Immortal Performatives and Writing with Ashes

Walter Faro

Media Portfolios after Credit Scoring: Attention, Prediction, and Advertising in Indian Media Networks

Akshaya Kumar

Can Curation Free the Anthology? Giorgio Agamben’s Apparatus and Against Expression: An Anthology of Conceptual Writing

Isabelle Parkinson

 

Reviews

 

The Existential Drama of Capital. A review of Todd McGowan, Capitalism and Desire: The Psychic Cost of Free Markets

Christian Haines

“This thick and fibrous now.” A review of Donna Haraway’s Manifestly Haraway and Staying with the Trouble: Making Kin in the Chthulucene

Thangam Ravindranathan

Reading Under a Big Tent. A review of Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories

Megan Ward