Idioculture: De-Massifying the Popular Music Audience

Marc Perlman Department of Music Tufts University perlman@pearl.tufts.edu   Crafts, Susan D., Daniel Cavicchi, Charles Keil and the Music in Daily Life Project. My Music. Foreword by George Lipsitz. Hanover, NH: University Press of New England for Wesleyan University Press, 1993.   Cultural Studies frequently constructs popular music as a particularly disruptive sort of object, […]

Fear Of Music

Andrew Herman Department of Sociology Drake University ah7301r@acad.drake.edu   Goodwin, Andrew. Dancing in the Distraction Factory: Music Televison and Popular Culture. Minneapolis: University of Minnesota Press, 1992.   I. Fear of Music: Postmodernism and Music Television   The first time I heard the terms “postmodernism” and “the postmodern” was at the “Marxism and Interpretation of […]

Postmodernist Purity

John McGowan Department of English University of North Carolina, Chapel Hill jpm@unc.bitnet   Owens, Craig. Beyond Recognition: Representation, Power, and Culture. Ed. Scott Bryson, Barbara Kruger, Lynne Tillman, and Jane Weinstock. Berkeley: University of California Press, 1992.   Craig Owens was a critic/theorist of contemporary art, best known for his essays in October and Art […]

Practice, Politique, Postmodernism

J.L. Lemke Sociology Department City University of New York jllbc@cunyvm.cuny.edu   Bourdieu, Pierre and Lois J.D. Wacquant. An Invitation to Reflexive Sociology. Chicago: University of Chicago Press, 1992.   I. The Text   Invitation to Reflexive Sociology is a book that is not quite a text. Tiles in a genre mosaic abut one another: Fantasy […]

Postmodern Communities: The Politics of Oscillation

Heesok Chang Department of English Vassar College hechang@vaxsar.vassar.edu   Vattimo, Gianni. The Transparent Society. Trans. David Webb. Baltimore: Johns Hopkins University Press, 1992.   Agamben, Giorgio. The Coming Community. Trans. Michael Hardt. Minneapolis: University of Minnesota Press, 1993.   I. Philosophical Homelessness   Readers of the young Georg Lukacs may recall this memorable citation from […]

‘Imagining The Unimaginable’: J.M. Coetzee, History, and Autobiography

Rita Barnard English Department University of Pennsylvania rbarnard@mail.sas.upenn.edu   Attwell, David. J.M. Coetzee: South Africa and the Politics of Writing. Perspectives on South Africa 48. Berkeley and Los Angeles: University of California Press, 1993.   Coetzee, J.M. Doubling the Point: Essays and Interviews. Ed. David Attwell. Cambridge: Harvard University Press, 1992.   David Attwell’s important […]

Authorizing Memory, Remembering Authority

Mark Fenster Department of Telecommunications Indiana University fenster@silver.ucs.indiana.edu   Schudson, Michael. Watergate in American Memory: How We Remember, Forget, and Reconstruct the Past. New York: Basic Books, 1992.   Zelizer, Barbie. Covering the Body: The Kennedy Assassination, the Media, and the Shaping of Collective Memory. Chicago: U of Chicago Press, 1992.   “Best Evidence is […]

If I Only Had a Brain

Steven Shaviro Department of English University of Washington shaviro@u.washington.edu   Burroughs writes: “in this life we have to take things as we find them as the torso murderer said when he discovered his victim was a quadruple amputee.” Good advice for the anatomically deranged, like Cliff Steele. He’s a character in the DC/Vertigo comic book […]

Dynamic and Thermodynamic Tropes of the Subject in Freud and in Deleuze and Guattari

Martin Rosenberg Visiting Assistant Professor Department of English Texas A&M University mer1911@tamvm1.tamu.edu   [O]rators and others who are in variance are mutually experiencing something that is bound to befall those who engage in senseless rivalry: believing that they are expressing opposite views, they fail to perceive that the theory of the opposite party is inherent […]

That Was Then: This Is Now: Ex-Changing the Phallus

Lynda Hart Department of English The University of Pennsylvania   In A Taste for Pain, Maria Marcus recounts an anecdote about a women’s studies conference in 1972. Germaine Greer, the keynote speaker, was interrupted by a young woman from the audience who suddenly cried out: “But how can we start a women’s movement when I […]

“Another Autumn Refrain” and “Two Thirds of a Second at the Center of the Universe”

George Bradley     Another Autumn Refrain   He kept trying to get it right, trying to catch That wisp of melody, that snatch of sound, listening And trying, like a man playing music, practicing scales;   He kept trying to remember, though it would not come, About the leaves and the ghosts hung in […]

Mapplethorpe’s Art: Playing with the Byronic Postmodern

Elizabeth Fay Department of English University of Massachusetts at Boston EFAY@UMBSKY.CC.UMB.EDU   The term “the Byronic postmodern” is coined here specifically for the purpose of uncovering and exploring a congruency in the works of those artists invested in some aspect of the Byronic hero. The Byronic, which was both encoded by Byron and beyond his […]

A Schizoanalytic Reading of Baudelaire: The Modernist as Postmodernist

Eugene W. Holland Department of French Language and Literature The Ohio State University eugeneh@humanities1.cohums.ohio-state.edu   Whether Deleuze and Guattari were actually “doing philosophy” in the Anti-Oedipus or not, their last collaborative work Qu’est-ce que la philosophie?) may shed some light on the status of the concepts operating in that early work.1 Unlike scientific concepts, which […]

On The Bull’s Horn with Peter Handke: Debates, Failures, Essays, and a Postmodern Livre de Moi

Stephanie Hammer Department of Literature and Languages University of California, Riverside HAMM@ucrac2.ucr.edu The time is past when we can plant ourselves in front of a Vernet and sigh along with Diderot, “How beautiful, grand, varied, noble, wise, harmonious, rigorously colored this is!”   (Lyotard, “Contribution to an Idea of Postmodernity”)   What a wise and […]

“It Dread Inna Inglan”: Linton Kwesi Johnson, Dread, and Dub Identity

Peter Hitchcock Department of English Baruch College, CUNY   Postmodern Culture Version1   it is noh mistri wi mekkin histri it is noh mistri wi winnin victri   (“Mekkin Histri” LKJ)   “The trouble with the English is that their history happened overseas, so they don’t know what it means”   (The Satanic Verses, Salman […]

Anouncements & Advertisements

      Every issue of Postmodern Culture will carry notices of events, calls for papers, and other announcments, up to 250 words, free of charge. Advertisements will also be published on an exchange basis. Send anouncements and advertisements to: pmc@jefferson.village.virginia.edu     Journal and Book Announcements: 1) Essays in Postmodern Culture 2) Black Ice […]

Malice: The New American Hero

M. Daphne Kutzer Department of English State University of New York at Plattsburgh kutzerdm@splava.cc.plattsburgh.edu   Malice, Directed by Harold Becker. Screenplay by Aaron Sorking and Scott Frank. Castlerock, 1993.   The latest contender in the Woman as Evil Bitch Film Sweepstakes is Harold Becker’s Malice. The film is less interesting for its portrayal of the […]

Grown-Ups and Fanboys

Kevin Harley Norwich, England P280@CPCMB.EAST-ANGLIA.AC.UK   Sabin, Roger. Adult Comics: An Introduction. London and New York: Routledge, 1993.   It’s a long and sordid tale, the history of adult comics. This particular hotbed of intrigue has everything for the perfect television mini-series; suspense, prejudice, passion, censorship, homophobia, Anglo-American cultural relations, exploitation of creative individuals by […]

Exaggerated History

Susan Schultz Department of English University of Hawaii schultz@uhccvm   Susan Howe, The Birth-Mark: Unsettling the Wilderness in American Literary History. Middletown, CT: Wesleyan University Press, 1993.   Susan Howe, The Nonconformist’s Memorial. New York: New Directions, 1993.     Somewhere Thoreau says that exaggerated history is poetry.   — Susan Howe, “The Captivity And […]

Virtual Light

Lance Olsen English Department University of Idaho olsen@idui1.csrv.uidaho.edu   Gibson, William. Virtual Light. New York: Bantam, 1993.   I. Cyberpunk 101, or: The Luminous Flesh of Giants   Until now, and for no particular reason, PMC hasn’t reviewed a novel. And it seems appropriate that the first novel to be reviewed in these electronic pages […]

A Postmodern Foundation For Political Practice?

Linda Ray Pratt Department of English University of Nebraska, Lincoln lpratt@unlinfo.unl.edu   McGowan, John. Postmodernism and Its Critics. Ithaca: Cornell University Press, 1991.   John McGowan’s “postliberal democracy” sometimes sounds just like the place we’d like to be, and sometimes more like the place we’ve already been. To get there, we must dispose of the […]

Queer Bodies of Knowledge: Constructing Lesbian and Gay Studies

Lynda Goldstein Department of English Pennsylvania State University lrg4@psuvm.psu.edu   Abelove, Henry, Michele Anna Barale, and David M. Halperin, eds. The Lesbian and Gay Studies Reader. New York: Routledge, 1993.   Gever, Martha, John Greyson, and Pratibha Parmar, eds. Queer Looks: Perspectives on Lesbian and Gay Film and Video. New York: Routledge, 1993.   As […]

Anna Deveare Smith’s Voices at Twilight

Gayle Wald Princeton University gwald@pucc.princeton.edu   The Mark Taper Forum Production of “Twilight: Los Angeles, 1992,” a work-in-progress that is part of the “On the Road: A Search for American Character” series conceived, written and performed by Anna Deavere Smith. Directed by Emily Mann. Set design by Robert Brill. Costume design by Candice Donnelly. Lighting […]

From: PMC-Talk THREAD: Silber, Strauss, and Post-Democratic Politics in the Academy (11/30/93 – 1/6/94)

      (Excerpted from the Discussion Group PMC-talk@ncsuvm, 7/92-8/92)   PMC-TALK digest: postings for the period ending 11-30-93. PMC-TALK is the discussion group for the electronic journal _Postmodern Culture_ (PMC-LIST). Subscription to PMC-TALK is independent of subscription to PMC-LIST; if you are not subscribed to the journal itself, and would like to be, send […]

“‘To He, I Am for Evva True'”: Krazy Kat’s Indeterminate Gender

Elisabeth Crocker Department of English University of Virginia libby@virginia.edu   (IMAGE)   Like the landscape of Coconino County where he lives, the character Krazy Kat’s gender and race shift, sometimes at random, but more often as a result of his social situation. George Herriman couched his assertions about the socially constructed nature of categories like […]

Four Poems: “Ode To Woody Strode”, “Removing The Obelisk”, “Parental Guidance”, and “The Permanence Of Whim To Providence”

Michael Gizzi   Ode to Woody Strode   Veteran Actor Woody Strode will appear at the 8 p.m. Saturday screening of John Ford’s “Sergeant Rutledge” at the Gene Autry Western Heritage Museum’s Wells Fargo Theater.   –Los Angeles Times   Brother Ebon Noggin, Survival Bubba, persona non grata In the peckerwood’s head, a midden of […]

“The Geographics: Step Five” and “The Geographics: Step Six”

Albert Mobilio   The Geographics: Step Five   Antennae lie buried beneath the floor because the reception is better that way. The airwaves brought us crumbs & pocket change but nothing worth diving in for. We learned whoever pounds the rock makes fire, and whoever plows the flame grows their own flaw. Instinct rode us […]

Buffalo and Marshmallows

John Yau   Buffalo and Marshmallows   It’s an old glory when a toenail crocodile named Greta Gabo   boasts that any tall thumb tucking   pimple popper still in touch   with the bottom of his atavistic roots will soon be rented out   to the King of pencil Toads and his last iron […]

“Hauntings,” “Temples and Follies,” and “A Reading”

Virginia Hooper   Hauntings   The hauntings laced themselves into another year, Grew into miracles and fertilized the grass. Spinning absent-mindedly,   A thump and a rattle intercepting my dream, I clutched in fury to my story, And, uncertain on which side of the glass I had landed,   I turned the page to the […]

One or Two Ghosts for One or Two Lines

tall blank zebras appear   A To care. The aerogramme made a lily of necessity, stumped box, redolence ribboned far off in the glass cities I opened and closed to the dandy drawers. A colt emerged on a clotted pansy. A pan required fanning. This repose a thread files. Inside the spitting rope sweeps like […]

Two Poems

    One And where did the Dutch get their vocabulary? A “generation and transition” company make the water muddy. Transitional generation in company of a muddy mere formality: or was it going Dutch, in transmission to transition? A mere formality of Dutch, a merely formal vocabulary, to be used “in company” of Dutch transmissions. […]

Anouncements & Advertisements

      Every issue of Postmodern Culture will carry notices of events, calls for papers, and other announcments, up to 250 words, free of charge. Advertisements will also be published on an exchange basis. Send anouncements and advertisements to:   pmc@jefferson.village.virginia.edu   Journal and Book Announcements:   1)Essays in Postmodern Culture 2)Black Ice Books […]

Laurie Anderson and the Politics of Performance

Woodrow B. Hood University of Missouri–Columbia c562611@mizzou1.missouri.edu   Anderson, Laurie. Stories from the Nerve Bible: A Retrospective 1972-1992. Performed at the Lied Arts Center, Lawrence Kansas, March 29, 1994.   Performance theorist Philip Auslander has argued that whatever theoretical or empirical value finally attaches to the term “postmodernism,” the contemporary performance artists that we call […]

Coalitions and Coterie

Ira Lightman University of Norwich I.Lightman@uea.Ac.Uk   Edwards, Tim. Erotics and Politics: Gay Male Sexuality, Masculinity, and Feminism. London: Routledge and Kegan Paul, 1994.   This book doesn’t quarrel too much with anyone, but then it doesn’t leave itself much room for polemic, so thorough is its survey of essays and books about and by […]

Unthinkable Writing

Gregory Ulmer English Department University of Florida at Gainesville glulmer@nervm.Nerdc.Ufl.Edu   Perforations 5 (1994): “Bodies, Dreams, Technologies.” Public Domain, Inc., POB 8899, Atlanta, GA. 31106-0899. INFO@PD.ORG   Described as a media-kit journal of theory, technology, and art, Perforations is just one facet of Public Domain’s activities. Jim Demmers, Robert Cheatham, and Chea Prince (PD’s coordinating […]

From Technology to Machinism

Brent Wood Methodologies for the Study of Western History and Culture Trent University bwood@trentu.ca   Conley, Verena Andermatt, ed., on behalf of Miami Theory Collective. Rethinking Technologies, Minneapolis: University of Minnesota Press, 1993.   Rethinking Technologies is a collection of twelve essays inspired (at least nominally so) by Miami University’s 1990 colloquium “Questioning Technologies.” The […]

Late Soviet Culture: A Parallax for Postmodernism

Vitaly Chernetsky Comparative Literature and Literary Theory Program University of Pennsylvania vchernet@mail.sas.upenn.edu   Lahusen, Thomas, and Gene Kuperman, eds. Late Soviet Culture: From Perestroika to Novostroika. Durham: Duke University Press, 1993.   In an essay recently published in October (no. 63, Winter 1993), Hal Foster uses a suggestive metaphor for the study of contemporary artistic […]

Forward Into The Past

Jim Hicks English Department University of Massachusetts, Boston hicks@umbsky.cc.umb.edu   Latour, Bruno. We Have Never Been Modern. Trans. Catherine Porter. Cambridge: Harvard UP, 1993.   Illich, Ivan. In the Vineyard of the Text. A Commentary to Hugh’s Didascalicon. Chicago: U. of Chicago, 1993.   In his 1985 recension of the debate on postmodernism, Gianni Vattimo […]

Metaphoric Rocks: A Psychogeography of Tourism and Monumentality

Gregory Ulmer English Department University of Florida, Gainesville glulmer@nervm.Nerdc.Ufl.Edu   An earlier version of this work was published in The Florida Landscape: Revisited, a catalog for an exhibition curated by Christoph Gerozissis, Lakeland, Florida: The Polk Museum, 1992. An electronic predecessor was included, with the assistance of Anthony Rue, in a cultural studies World-Wide Web […]

Important Pleasures and Others: Michael Palmer, Ronald Johnson

Eric Selinger Department of English George Washington University SELINGER@gwis.circ.gwu.edu   Are the pleasures of experimental poetry important? 1 William Wordsworth certainly thought so. The “experiment” of Lyrical Ballads was published, he tells his readers in the “Preface,” in the hope that it “might be of some use to ascertain, how far, by fitting to metrical […]