Tracking the Field

Susanne E. Hall (bio)Thompson Writing Program, Duke UniversitySusanne.Hall@duke.edu Review of: Joe Amato, Industrial Poetics: Demo Tracks for a Mobile Culture. Iowa UP, 2006.   Joe Amato’s Industrial Poetics: Demo Tracks for a Mobile Culture is a book about a great many things, but it is most successfully a book about the slings and arrows of […]

Subjunctivity

Michael D. Snediker (bio)Department of English, Queen’s Universitysnediker@queensu.ca Review of: Leo Bersani and Adam Phillips, intimacies. U of Chicago Press, 2008.   If these past decades of ruminating on J.L. Austin have rendered I do a paradigm of performative utterance, one of the actions with which this performative arguably coincides—beyond conjugal contract, beyond ostensible entrapment […]

AncesTree

George Kuchar (bio)San Francisco Art Instituteg.kuchar@worldnet.att.net   The very early days of television, when puppets on strings ruled the airwaves, were quite essential to my stature as a fallen angel (a filmmaker who fell into hell via a CIRCUIT CITY basket). I don’t always shop there, as sometimes I like the BEST BUY stores best […]

Embracing Aporia?: The Lessons of Popular Knowledge

Suzanne Diamond (bio)Youngstown State Universitysdiamond@ysu.edu Review of: Clare Birchall, Knowledge Goes Pop: From Conspiracy Theory to Gossip. Oxford: Berg, 2006.   Gossip and conspiracy discourse have long been epistemologically suspect, and recent critical treatments tend either to celebrate or to excoriate these social phenomena. Knowledge Goes Pop: From Conspiracy Theory to Gossip heralds a new […]

Space and Vision in Language

Christopher C. Robinson (bio)Clarkson Universityrobinscc@clarkson.edu Review of: Nana Last, Wittgenstein’s House: Language, Space, & Architecture. New York: Fordham UP, 2008.   Ludwig Wittgenstein wrote two of the core texts of philosophy’s linguistic turn in the twentieth century: Tractatus Logico-Philosophicus and Philosophical Investigations. The Tractatus, revered as the Bible of Logical Positivism, was written by a […]

Stupid Pleasures

Graham Hammill (bio)SUNY at Buffaloghammill@buffalo.edu Review of: Michael D. Snediker, Queer Optimism: Lyric Personhood and Other Felicitous Persuasions. Minneapolis and London: U of Minnesota P, 2008.   We all know that happiness is a form of stupidity. Once The Declaration of Independence promises the pursuit of happiness as an inalienable right, it’s difficult not to […]

The Special Case of Four Auschwitz Photographs

Susan A. Crane (bio)University of Arizonascrane@email.arizona.edu Review of: Georges Didi-Huberman, Images in Spite of All: Four Photographs from Auschwitz. Translated by Shane B. Lillis. Chicago: U of Chicago P, 2008.   Paris, 2001: an exhibition that commemorates the Nazi concentration and extermination camps of the Holocaust stirs up a vehement public debate. Georges Didi-Huberman, a […]

Kenneth Goldsmith’s American Trilogy

Darren Wershler (bio)Wilfrid Laurier University Review of: Kenneth Goldsmith, The Weather. Los Angeles; Make Now, 2005, Goldsmith, Traffic. Los Angeles: Make Now, 2007, and Goldsmith, Sports. Los Angeles: Make Now, 2008.   I can’t help it: trilogies are nerd Kryptonite. My childhood library was chock-full of science fiction and heroic fantasy books organized into epic […]

Watchmen Meets The Aristocrats

Stuart Moulthrop (bio)University of Baltimoresamoulthrop@ubmail.ubalt.edu   This essay reveals key plot details of the graphic novel Watchmen and the film based upon it.   On March 6, 2009, Warner Brothers released a motion picture based on Alan Moore and Dave Gibbons’s graphic novel, Watchmen, directed by Zack Snyder and written for the screen by David […]

Cyborg Masochism, Homo-Fascism: Rereading Terminator 2

David Greven (bio)Connecticut Collegedgrev@conncoll.edu  Abstract     As the most important and sustained cyborg narrative in Hollywood film, the Terminator films, particularly the first two, continue to demand a considerable amount of critical scrutiny. When the highly charged allegorical power of the figure of the cyborg is added to Arnold Schwarzenegger’s star persona, now evolved […]

Tolerating the Intolerable, Enduring the Unendurable: Representing the Accident in Driver’s Education Films

Jillian Smith (bio)University of North Floridajlsmith@unf.edu Abstract Driver’s Education, like all accident-prevention discourses, attempts to govern that which it cannot represent. Representing the accident reduces the multiple, complex force of its coming forth. The images of accidents shown to students in driver’s education can never be the accident that awaits them, and the accident that awaits […]

Others’ Organs: South Asian Domestic Labor and the Kidney Trade

Kalindi Vora (bio)University of CaliforniaSan Diegokavora@ucsd.edu Abstract “Others’ Organs” explores the particular limits on the mobility of rural agriculturalist South Indians, middle class Sri Lankan women, and young Indian and Pakistani men, whose needs for jobs become entwined with the commodification of “life.” I argue that the material constraints on these workers, as well as the […]

Code-Scripting the Body: Sex and the Onto-Theology of Bioinformatics

Steve Garlick (bio)University of Victoriasgarlick@uvic.ca Abstract It is generally acknowledged that molecular biology has been enamored with discourses of information theory and cybernetics from its earliest days. Equally common, in critical theory, is the belief that biological science has lost purchase on important dimensions of embodied life as a result. This essay suggests, however, that when […]

The Dream of Writing (review)

Peter Schwenger (bio)University of Western Ontariopschweng@uwo.ca Herschel Farbman, The Other Night: Dream, Writing, and Restlessness in Twentieth-Century Literature. New York: Fordham UP, 2008.  A profoundly “other” concept of writing is unfolded in Herschel Farbman’s The Other Night–other than the commonly accepted notions of writing, and other than the subject from which writing is presumed to […]

Cinema After Deleuze After 9/11 (review)

Richard Rushton (bio)Lancaster Universityr.rushton@lancaster.ac.uk David Martin-Jones, Deleuze, Cinema and National Identity: Narrative Time in National Contexts. 2006. Edinburgh: Edinburgh UP, 2008.   Deleuze, Cinema and National Identity is an ambitious attempt to bring together the writings of Gilles Deleuze and discourses on national cinemas. In arguing that some of Deleuze’s concepts can be relevant to […]

Anthological and Archaeological Approaches to Digital Media: A Review of Electronic Literature and Prehistoric Digital Poetry (review)

Stephanie Boluk (bio)University of Floridasboluk@ufl.edu N. Katherine Hayles. Electronic Literature: New Horizons for the Literary. Notre Dame: University of Notre Dame Press, 2008; and Chris Funkhouser, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995. Tuscaloosa: University of Alabama Press, 2007.  N. Katherine Hayles’s Electronic Literature: New Horizons for the Literary and C.T. Funkhouser’s Prehistoric Digital […]

“God Knows, Few of Us Are Strangers to Moral Ambiguity”: Thomas Pynchon’s Inherent Vice (review)

Bernard Duyfhuizen (bio)University of Wisconsin-Eau Clairepnotesbd@uwec.edu Thomas Pynchon, Inherent Vice. New York: The Penguin Press, 2009.  With his seventh novel, Inherent Vice, Thomas Pynchon brings his readers back to late 1960s California for the third time—though the story is set in 1970. As with The Crying of Lot 49 (1966) and Vineland (1990), Pynchon is […]

Performing Politics: (review)

Phillip Novak (bio)Le Moyne CollegeNovakPP@lemoyne.edu Jennifer Fay, Theaters of Occupation: Hollywood and the Reeducation of Postwar Germany. UP of Minnesota, 2008.  The usual approach to writing about film culture in postwar Germany is to restrict the discussion to films made by Germans, in order, as Jennifer Fay puts it in the introduction to Theaters of […]

A Brief Reply to Kalindi Vora’s “Others’ Organs: South Asian Domestic Labor and the Kidney Trade”

Neil Larsen (bio)University of California at Davisnalarsen@ucdavis.edu  Basing itself largely on an emergent body of ethnography concerning the contemporary traffic in human organs, and especially on the buying and selling of human kidneys in South Asia, Kalindi Vora’s “Others’ Organs: South Asian Domestic Labor and the Kidney Trade” can certainly lay claim to a considerable […]

New Media Critical Homologies

Brian Lennon (bio)Pennsylvania State Universityblennon@psu.edu Abstract New media studies, we might say, has discovered temporality. After fifteen years in which its cultural dominant was presentist prognostication, even a kind of bullying, the field has folded on itself with such new guiding concepts as the “residuality,” the “deep time” or “prehistory,” and the “forensic imagination” of a […]

Irreducible Vagueness: Mixed Worlding in Diller & Scofidio’s Blur Building

Ulrik Ekman (bio)University of Copenhagenekman@hum.ku.dk Abstract This article argues that Blur Building, Diller & Scofidio’s architectural project for the Swiss Expo 2002, demonstrated performatively and interactively how contemporary worldmaking involves cultural and technological invention and construction both, implying our cultural co-evolution with ubiquitous computing and media such that “worlding” must today be approached and approximated as […]

Unknowing Susan Sontag’s Regarding: Recutting with Georges Bataille

Louis Kaplan (bio)University of Torontolouis.kaplan@utoronto.ca Abstract This essay reviews and challenges Susan Sontag’s use and abuse of Georges Bataille in her last book, Regarding the Pain of Others. Sontag takes up Bataille’s understanding of and fascination with a group of Chinese torture (or lingchi) photographs from the beginning of the twentieth century. Her somber reading glosses […]

The Well and the Web: Phantoms of Community and the Mediatic Public Sphere

John Culbert (bio)University of California at Irvinejohnculbert@lycos.com Abstract “The Well and the Web” examines a number of media watershed events in which the sense of community in crisis, threatened by new technologies of communication, is expressed in sensationalistic dramas of young lives in mortal danger. From the advent of live TV news to the rise of […]

Notes on Contributors

Stephanie Boluk is a Ph.D. student in English Literature at the University of Florida. She is currently writing her dissertation on seriality while working as an editor for the open access journal Imagetext. She has written essays and reviews for The Journal of Visual Culture, New Media and Society, and the proceedings of the 2009 […]

Notes on Contributors

Vicki Callahan is an Associate Professor in the Peck School of the Arts at the University of Wisconsin-Milwaukee and a Visiting Scholar at the University of Southern California’s Institute for Multimedia Literacy. She is the editor of the recent collection, Reclaiming the Archive: Feminism and Film History (Wayne State University Press, 2010), and with Lina […]

Liu’s Ethics of the Database

Vicki Callahan (bio)University of Wisconsin-Milwaukee and University of Southern Californiavacall@uwm.edu Review of: Alan Liu. Local Transcendence: Essays on Postmodern Historicism and the Database. Chicago: U of Chicago P, 2008. Print.     In many ways, one might see Alan Liu’s collection, Local Transcendence: Essays on Postmodern Historicism and the Database, as a kind of retrospective […]

From Capital to Karma: James Cameron’s Avatar

Ken Hillis (bio)University of North Carolina at Chapel Hillkhillis@email.unc.edu     James Cameron’s Avatar (2009) participates in an underacknowledged yet widespread contemporary resuscitation of Neoplatonism. In the Timaeus (c. 360 BCE), Plato introduces the concept of the demiurge: “Therefore, we may consequently state that: this world is indeed a living being endowed with a soul […]

“Time is Illmatic”: A Critical Retrospective on Nas’s Groundbreaking Debut

Alessandro Porco (bio)SUNY Buffaloasporco@buffalo.edu Review of: Michael Eric Dyson and Sohail Daulatzai, eds. Born to Use Mics: Reading Nas’s Illmatic. New York: Basic Civitas Books, 2009. Print.     There are indisputable watershed years in hip-hop history. 1979, of course, is the year Fatback Band and The Sugarhill Gang released rap’s first singles. In 1984, […]

Matches, in Our Time

Patrick F. Durgin (bio)School of the Art Institute of Chicagopdurgin@saic.edu Review of: Carla Harryman, Adorno’s Noise. Ithaca, NY: Essay Press, 2008.       The first of two major new works collected in Carla Harryman’s new book of “literary nonfiction,” Adorno’s Noise, begins by eliding two otherwise remote passages from Minima Moralia: “If normality is […]

Three Poems

Grzegorz Wróblewski (bio)Translated by Agnieszka Pokojska (bio)     In A Christianshavn Pub, Larsen Talks About His Undeservedly Settled Life     I know what you mean, Larsen. Just like me,you are now a big fat pig stuffing yourselfwith salted peanuts and reading gossip columnsabout the Austrian Nazis who dominatethe Internet with impunity.Don’t worry, Larsen! […]

The Queer Spaces and Fluid Bodies of Nazario’s Anarcoma

Michael Harrison (bio)Monmouth Collegemharrison@monm.edu Abstract At a time when Spanish culture was attempting to emerge from the shadow of an oppressive dictatorship, a generation of queer artists used comics to comment on the time’s significant cultural changes. This essay examines the original queer sensibility of the comic Anarcoma, by Nazario, as a symbol of the changes […]

Self-Portrait in a Context Mirror: Pain and Quotation in the Conceptual Writing of Craig Dworkin

Paul Stephens (bio)Emory Universityps249@columbia.edu Abstract This essay explores the role of quotation in the writing of the poet-critic Craig Dworkin. Dworkin’s “Dure,” an ekphrastic prose poem concerning a Dürer self-portrait, is a complex meditation on selfhood, the representation of pain, and the nature of linguistic appropriation. “Dure” demonstrates that an appropriative, heavily quotational poetics can enact […]

Anagram, Gestalt, Game in Maya Deren: Reconfiguring the Image in Post-war Cinema

Orit Halpern (bio)New School for Social ResearchHalpernO@newschool.edu Abstract This article examines the relationship between the film work of American Avant-garde filmmaker Maya Deren and Cold-war science, particularly the sciences of Gestalt psychology, cybernetics, game theory, and anthropology. The central concern is to link Deren’s investment in time and in transforming the cinematic image with contemporaneous developments […]

Romance in the Age of Cybernetic Conviviality: Hsia Yü’s Pink Noise and the Poetics of Postcolonial Translation

Lili Hsieh (bio)National Central University, TaiwanLili.hsieh@gmail.com Abstract In 2007, acclaimed Taiwanese postmodern poet Hsia Yü published a transparent book of bilingual poems generated mostly from weblogs (in English) and from a computer translation program (in Chinese). The book, Pink Noise (now available on Amazon), has ignited enthusiastic responses among Hsia Yü’s “lay readers” in Taiwan, but […]

Notes on Contributors

Heidi R. Bean is Assistant Professor of English at Bridgewater State University. She is the co-editor of Poetry after Cultural Studies, an anthology of critical essays forthcoming from the University of Iowa Press. Her essays, reviews, and interviews related to the intersections of theater, performance, and poetry have appeared in Text and Performance Quarterly, Theatre […]

Cross-Media Criticism: Postwar American Poetry-With-Cinema

Christophe Wall-Romana (bio)University of Minnesotawallr007@umn.edu Review of: Daniel Kane, We Saw The Light: Conversations Between The New American Cinema and Poetry. Iowa City: Iowa UP, 2009.    Kane’s book partakes of the renewed interest in contemporary humanities for the study of cross-medium exchanges, particularly involving literature, pioneered in the 1970s and somewhat marginalized by the […]

Feeling Well

Michael D. Snediker (bio)Queen’s Universitysnediker@queensu.ca Review of: Sara Ahmed, The Promise of Happiness. Durham: Duke UP, 2010. It strikes me as both salubrious and unsurprising that after several decades of theorizing negative affect, melancholy, and trauma, the academy has turned its attention to the likes of positive affect, happiness, and optimism. As I’ve argued elsewhere, […]

Terror, Representation, and Postmodern Lessons in Hitler Studies

Alan Nadel (bio)University of Kentuckyamnade2@email.uky.edu Review of: Karen Engle, Seeing Ghosts: 9/11 and the Visual Imagination. Montreal & Kingston: McGill-Queens UP, 2009. Print. Jeffrey Melnick, 9/11 Culture. West Sussex, UK: Wiley-Blackwell, 2009. Print. Marc Redfield, The Rhetoric of Terror: Reflections on 9/11 and the War on Terror. New York: Fordham UP, 2009. Print. Phillip E. […]

Modes of Luxurious Walking

Apple Zefelius Igrek (bio)Seattle Universityigreka@seattleu.edu Review of: Allan Stoekl, Bataille’s Peak: Energy, Religion, and Postsustainability. Minneapolis: U of Minnesota P, 2007.    If there is a single, obsessive object of thought in Georges Bataille – from Guilty (1944/1988) and Blue of Noon (1957/1978) to his magnum opus The Accursed Share (1949/1988) – it is the […]

Living Antagonistically: Lorenzo Fabbri’s Domesticating Derrida

Timothy Campbell (bio)Cornell Universitycampbell@cornell.edu Review of: Lorenzo Fabbri, The Domestication of Derrida: Rorty, Pragmatism and Deconstruction. Trans. Daniele Manni, London: Continuum, 2008. Print.    To choose security is to choose death. That such a lesson comes at the expense of Richard Rorty in a book on the relation of French deconstruction to American pragmatism is […]