Volume 32, Number 2, January 2022

Works

Artifact Functionality and the Logic of Trash in Videogames

Erick Verran

Against Digital Worldlessness: Arendt, Narrative, and the Onto-Politics of Big Data/AI Technologies

Ewa Płonowska Ziarek

The Decline of Phatic Efficiency

Matthew J. Rigilano

Horrible Beauty: Robin Coste Lewis’s Black Aesthetic Practice

Matthew Scully

Climates of the Absurd in Chantal Peñalosa and José-Luis Moctezuma’s “CCTV”

Judith Goldman

“CCTV”: Visual Text by Chantal Peñalosa & Jose-Luis Moctezuma

Reviews

Underground Fanon: A Review of Gavin Arnall, Subterranean Fanon: An Underground Theory of Radical Change

Anthony C. Alessandrini

Two, Three, Many Instituent Instances in Common: A review of Pierre Dardot and Christian Laval, Common: On Revolution in the 21^st Century.

Robert F. Carley

Challenging Theater in the Special Period
A review of Bretton White, Staging Discomfort: Performance and Queerness in Contemporary Cuba

Katherine Ford

Neither Optimism nor Pessimism
A review of David Marriott, Whither Fanon?

Geo Maher